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A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera

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References

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1997Musical creativity in twentieth-century China: Abing, his music, and its changing meanings61 cited
1994Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad50 cited
1994Music in human life: anthropological perspectives on music50 cited
1998Chinese Folk Songs and Folk Singers: Shan'ge Traditions in Southern Jiangsu46 cited
1993The Application of Schenkerian Analysis to Ethnomusicology: Problems and Possibilities45 cited
1988Tone and tune: the evidence for Northern Ewe music41 cited

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2009Singing in a Tone Language: Shona18 cited
2014Study Of The Similarity Between Linguistic Tones And Melodic Pitch Contours In Beijing Opera Singing.10 cited
2020A Heuristic Theory of Metrical Transformation and Tune Metamorphosis: Tracking Creativity in Traditional Cantonese Opera5 cited

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2016The Poetics of Meráki: Dialogue and Speech Genre in Kalymnian Song4 cited

2017Quantitative analysis of the relationship between linguistic tones and melody in jingju using music scores3 cited