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Dufay, Dunstable, Plummer, A New Source
2 references·12 citing·26 second hop
Dufay, Dunstable, Plummer, A New Source (1969)Dufay, Dunstable, Plummer, A New SourceStudies in Medieval and Renaissance Music (2018)Studies in Medieval and Renai…The New Oxford History of Music (1969)The New Oxford History of Mus…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…A New Attribution to Dunstaple (2019)A New Attribution to DunstapleFifteenth-Century English Liturgical Music: A List of the Surviving Repertory (1994)Fifteenth-Century English Lit…In Praise of Spurious Saints: The "Missae Floruit egregiis" by Pipelare and La Rue (1991)In Praise of Spurious Saints:…New sources of English fourteenth- and fifteenth-century polyphony (1983)New sources of English fourte…Stylistic Layers in the English Mass Repertory c. 1400–1450 (1982)Stylistic Layers in the Engli…New sources of English thirteenth- and fourteenth- century polyphony (1982)New sources of English thirte…The Saxilby fragment (1981)The Saxilby fragmentThe origins of San Pietro b 80 and the development of a Roman sacred repertory (1981)The origins of San Pietro b 8…Medieval libraries of Great Britain : a list of surviving books (1941)Medieval religious houses, England and Wales (1953)English manuscripts in the century after the Norman Conquest (1960)Practical books for the gentleman (1999)The books of the common law (1999)The early royal collections and the Royal Library to 1461 (1999)The New Grove Dictionary of Music and Musicians. Stanley Sadie (1983)Music in Late Medieval Bruges (1990)Devotional literature (1999)Importation of printed books into England and Scotland (1999)The rise of London’s book-trade (1999)Proportion in the Music of Dunstable (1978)A new canonic Gloria and the changing profile of Dunstaple (1996)Ritual meanings in the fifteenth-century motet (2013)Printing (1999)The Acts and Monuments of John Foxe (2010)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)The singing of Homer and the modes of early Greek music (1981)The Science of Harmonics in Classical Greece (2007)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)The Origins of W1 (1976)Antoine Busnoys and the L'Homme armé Tradition (1986)Politics: Theory and Practice (1998)Intelligibility Redux (2017)
this work references cited by second hop

References

  • 1969The New Oxford History of Music76 cited
  • 2018Studies in Medieval and Renaissance Music64 cited

Cited by

  • 1994Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory53 cited
  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2019A New Attribution to Dunstaple44 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 1983New sources of English fourteenth- and fifteenth-century polyphony36 cited
  • 1982New sources of English thirteenth- and fourteenth- century polyphony31 cited
  • 1981The origins of San Pietro b 80 and the development of a Roman sacred repertory8 cited
  • 1991In Praise of Spurious Saints: The "Missae Floruit egregiis" by Pipelare and La Rue5 cited
  • 1982Stylistic Layers in the English Mass Repertory c. 1400–14504 cited
  • 1981The Saxilby fragment4 cited

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