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Art versus Commerce as a Macromarketing Theme in Three Films from the Young-Man-with-a-Horn Genre
16 references·16 citing·33 second hopsampled
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(1997)Jammin' at the Margins: Jazz …The Field of Cultural Production: Essays on Art and Literature (1996)The Field of Cultural Product…The Semiotics of Consumption (1993)The Semiotics of ConsumptionThe Hollywood Musical (1992)The Hollywood MusicalPostmodern Consumer Research: The Study of Consumption as Text (1992)Postmodern Consumer Research:…No Respect: Intellectuals and Popular Culture (1990)No Respect: Intellectuals and…The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism (1989)The Triumph of Vulgarity: Roc…The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students (1988)The Closing of the American M…Distinction. A Social Critique of the Judgement of Taste (1985)Distinction. 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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2025Advances in Consumer Research13,264 cited
  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 1980Review of personality and social psychology3,593 cited
  • 1983Review of personality and social psychology3,365 cited
  • 1980Social Dilemmas2,023 cited
  • 1983The field of cultural production, or: The economic world reversed1,362 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1988The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Souls of Today's Students805 cited
  • 1999Marketing and the Tragedy of the Commons: A Synthesis, Commentary, and Analysis for Action240 cited
  • 1992Postmodern Consumer Research: The Study of Consumption as Text238 cited
  • 1997Jammin' at the Margins: Jazz and the American Cinema.184 cited
  • 1992The Hollywood Musical151 cited
  • 1993The Semiotics of Consumption99 cited
  • 1989The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism

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61 cited

Cited by

  • 2012Atmospheres of Seduction96 cited
  • 2008Must we have Muzak wherever we go? A critical consideration of the consumer culture48 cited
  • 2017Music in advertising and consumer identity47 cited
  • 2009Sharing and Owning of Musical Works38 cited
  • 2015Experiential Learning Projects37 cited
  • 2010Before method: axiomatic review of arts marketing33 cited
  • 2006The Alienated Artist and the Political Economy of Organised Art30 cited
  • 2010Marketing contemporary visual art28 cited
  • 2011Markets, music and all that jazz23 cited
  • 2018Essay on the origins, development and future of the consumption experience as a concept in marketing and consumer research21 cited
  • 2006Response to “Art versus Commerce as a Macromarketing Theme”12 cited
  • 2008Music meanings in movies: The case of the crime‐plus‐jazz genre11 cited
  • 2010Creating High and Low Art: Experimentation and Commercialization at Fringe Festivals11 cited
  • 2011And then we come to the brand: academic insights from international bestsellers6 cited
  • 2011The secret jazz fan: a tale of sublimation featuring film and music5 cited
  • 2017Performing jazz and the jazz constellation5 cited