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“The Most Terrific Sandbox”: Music Video Directors, Style, and the Question of the Auteur
16 references·1 citing·29 second hop
“The Most Terrific Sandbox”: Music Video Directors, Style, and the Question of the Auteur (2008)“The Most Terrific Sandbox”: Music Video …Experiencing Music Video: Aesthetics and Cultural Context (2004)Experiencing Music Video: Aes…Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Analysing Musical Multimedia (1998)Analysing Musical MultimediaMonopoly television: MTV's quest to control the music (1996)Monopoly television: MTV's qu…The American Film Musical (1994)The American Film MusicalStructural relationships of music and images in music video (1994)Structural relationships of m…Audio-vision: sound on screen (1994)Audio-vision: sound on screenThe Hollywood Musical (1992)The Hollywood MusicalSpace and Place: The Perspective of Experience (1979)Space and Place: The Perspect…Film Art: An Introduction (1979)Film Art: An IntroductionSpace and Place: The Perspective of Experience (1978)Space and Place: The Perspect…Mind: An Essay on Human Feeling. (1968)Mind: An Essay on Human Feeli…Mind: An Essay on Human Feeling (1968)Mind: An Essay on Human Feeli…What is cinema (1967)What is cinemaSound and Symbol: Music and the External World (1957)Sound and Symbol: Music and t…Sound and Symbol, Volume 1 (1956)Sound and Symbol, Volume 1La visibilidad de la autoría en el videoclip post-televisivo : la dignificación del vídeo musical a través de la reivindicación de los creadores en los créditos. (2020)La visibilidad de la autoría …Phénoménologie de la perception (1976)Unheard melodies: narrative film music (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)The identification of target and source in pictorial metaphors (2002)Flow and Media Enjoyment (2004)Film tourism – Evolution, progress and prospects (2012)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Practice of Cultural Studies (2004)The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess (2004)Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)The Measurement of Place Attachment: Validity and Generalizability of a Psychometric Approach (2003)Rethinking NIMBYism: The role of place attachment and place identity in explaining place‐protective action (2009)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Implicit Theories: Elaboration and Extension of the Model (1995)The effect of music listening on work performance (2005)Forms and Functions of Emotions: Matters of Emotion–Cognition Interactions (2011)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)“Check On It” (2011)Race and the Yugoslav region (2018)Theorizing Musical Meaning (2001)Music—Drastic or Gnostic? (2004)Metaphor in Pictures and Multimodal Representations (2008)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)
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References

  • 1979Space and Place: The Perspective of Experience3,596 cited
  • 1978Space and Place: The Perspective of Experience3,349 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 1979Film Art: An Introduction892 cited
  • 1967What is cinema602 cited
  • 1998Analysing Musical Multimedia560 cited
  • 1968Mind: An Essay on Human Feeling.373 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 1994The American Film Musical212 cited
  • 2004Experiencing Music Video: Aesthetics and Cultural Context167 cited
  • 1992The Hollywood Musical151 cited
  • 1957Sound and Symbol: Music and the External World134 cited
  • 1956Sound and Symbol, Volume 1133 cited
  • 1996Monopoly television: MTV's quest to control the music100 cited
  • 1968Mind: An Essay on Human Feeling61 cited
  • 1994Structural relationships of music and images in music video55 cited

Cited by

  • 2020La visibilidad de la autoría en el videoclip post-televisivo : la dignificación del vídeo musical a través de la reivindicación de los creadores en los créditos.

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2 cited