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Communicating the ideas and attitudes of spying in film music: A social semiotic approach
16 references·0 citing·28 second hop
Communicating the ideas and attitudes of spying in film music: A social semiotic approach (2014)Communicating the ideas and attitudes of …Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)Discourses of unity and purpo…Analysing Popular Music: Image, Sound, Text (2010)Analysing Popular Music: Imag…From the erotic to the demonic : on critical musicology (2003)From the erotic to the demoni…Licence to Thrill: A Cultural History of the James Bond Films (1999)Licence to Thrill: A Cultural…Linguistics and Semiotics in Music (1997)Linguistics and Semiotics in …The Limits of Interpretation. (1994)The Limits of Interpretation.Linguistics and Semiotics in Music (1994)Linguistics and Semiotics in …Screening the Male: Exploring Masculinities in the Hollywood Cinema (1993)Screening the Male: Exploring…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…The Limits of Interpretation (1991)The Limits of InterpretationDiscourse, Intonation and Language Teaching (1981)Discourse, Intonation and Lan…Discourse Intonation and Language Teaching (1981)Discourse Intonation and Lang…Language as social semiotic : the social interpretation of language and meaning (1978)Language as social semiotic :…The Rhythmic Structure of Music (1962)The Rhythmic Structure of Mus…The Rhythmic Structure of Music (1961)The Rhythmic Structure of Mus…Genre as social action (1984)Manifesto for a Relational Sociology (1997)The Language of Evaluation: Appraisal in English (2005)The Pronunciation Component in Teaching English to Speakers of Other Languages (1991)An Introduction to Discourse Analysis (2004)Primary Stress and Intelligibility: Research to Motivate the Teaching of Suprasegmentals (2004)Dynamics in action: intentional behavior as a complex system (2000)Language and Agency (2001)Multimodality, resemiotization: extending the analysis of discourse as multi-semiotic practice (2003)Art As Collective Action (1974)Music and Language (1994)Correlates of linguistic rhythm in the speech signal (1999)Handbook of Emotions (1993)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)On the Grammar and Semantics of Sentence Accents (1984)A Linguistic Approach to Narrative (1991)Negotiating Masculinities: Advertising and the Inversion of the Male Gaze (2002)Beyond the `Sexualization of Culture' Thesis: An Intersectional Analysis of `Sixpacks',`Midriffs' and `Hot Lesbians' in Advertising (2009)Investigating Hegemonic Masculinity: Portrayals of Masculinity in Men’s Lifestyle Magazines (2010)Playful Identities, or the Ludification of Culture (2005)Can We Re-Use Qualitative Data via Secondary Analysis? Notes on Some Terminological and Substantive Issues (2010)An Overview of Hierarchical Structure in Music (1983)Fantasy Pieces (1999)Assessment of rhythmic entrainment at multiple timescales in dyslexia: Evidence for disruption to syllable timing (2013)Performing the (Sound)World (2000)Psychology for Musicians (2007)What Is Sociological about Music? (2010)
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References

  • 1978Language as social semiotic : the social interpretation of language and meaning5,817 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality830 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality654 cited
  • 1962The Rhythmic Structure of Music523 cited
  • 1991The Limits of Interpretation497 cited
  • 1993Screening the Male: Exploring Masculinities in the Hollywood Cinema382 cited
  • 1961The Rhythmic Structure of Music369 cited
  • 1994The Limits of Interpretation.340 cited
  • 1981Discourse Intonation and Language Teaching338 cited
  • 1981Discourse, Intonation and Language Teaching240 cited
  • 2010Analysing Popular Music: Image, Sound, Text127 cited
  • 1999Licence to Thrill: A Cultural History of the James Bond Films112 cited
  • 1997Linguistics and Semiotics in Music104 cited
  • 1994Linguistics and Semiotics in Music101 cited
  • 2012Discourses of unity and purpose in the sounds of fascist music: a multimodal approach73 cited
  • 2003From the erotic to the demonic : on critical musicology66 cited

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