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Caught in the act: theatricality in the nineteenth-century English novel
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  • 2007The Jewess in Nineteenth-Century British Literary Culture159 cited
  • 2001Dickens's Public Readings and the Victorian Author53 cited
  • 2007Voice and the Victorian Storyteller53 cited
  • 2009Sympathy Time: Adam Smith, George Eliot, and the Realist Novel51 cited
  • 2004Hypocrisy and the politics of politeness: manners and morals from Locke to Austen44 cited
  • 2003Eavesdropping in the novel from Austen to Proust42 cited
  • 2003Shame in the Cybernetic Fold41 cited
  • 2003Shame, Theatricality, and Queer Performativity36 cited
  • 2014Melodramatic imperial writing: from the Sepoy Rebellion to Cecil Rhodes32 cited
  • 2007Henry James, Women and Realism26 cited
  • 2005What Did Jane Eyre Do? Ideology, Agency, Class and the Novel23 cited
  • 2005A voice without a body: the phonographic logic ofHeart of Darkness22 cited
  • 2002Mansfield Park and the End of Natural Theology21 cited
  • 2017Writing and the Modern Stage: Theater beyond Drama20 cited
  • 2018The Victorian Age, 1832–190120 cited

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2003
Pedagogy of Buddhism
19 cited