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Cited by

• 2012Sensemaking and sensegiving stories of jazz leadership95 cited
• 2004Duke Ellington and Black, Brown, and Beige : The Composer as Historian at Carnegie Hall44 cited
• 2020Experimental Music in Black and White: The AACM in New York, 1970-198528 cited
• 2006Cante Hondo: Charles Mingus, Nat Hentoff, and Jazz Racism122 cited
• 2004Early Jazz Literature (And Why You Didn't Know)21 cited
• 1998Ragtime and early jazz17 cited
• 2012Investigating the Relationship Between Musical Training and Mathematical Thinking in Children15 cited
• 2008Foreword: After Afrofuturism13 cited
• 2024Contemporary New York City big bands : composition, arranging and individuality in orchestral jazz10 cited
• 2009The respective influence of jazz and classical music on each other, the evolution of third stream and fusion and the effects thereof into the 21st century7 cited
• 2011No Boundary Line to Art: "Bebop" as Afro-Modernist Discourse5 cited
• 2017Performing Catfish Row in the Soviet Union: The Everyman Opera Company andPorgy and Bess, 1955–565 cited
• 2011Le spectre culturel et politique des couleurs musicales : la « Great Black Music » selon les membres de l’AACM4 cited
• 2006Jazz and the american identity.