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Australian Hip Hop: A Sociolinguistic Investigation
16 references·16 citing·36 second hopsampled
Australian Hip Hop: A Sociolinguistic Investigation (2006)Australian Hip Hop: A Sociolinguistic Inv…Sociolinguistic Theory (2017)Sociolinguistic TheoryGlobal Pop, Local Language (2003)Global Pop, Local LanguageGlobal Noise: Rap and Hip‐Hop outside the USA. (2003)Global Noise: Rap and Hip‐Hop…Global noise - Rap and Hip-Hop outside the USA (2003)Global noise - Rap and Hip-Ho…STREET-CONSCIOUS COPULA VARIATION IN THE HIP HOP NATION (2002)STREET-CONSCIOUS COPULA VARIA…Research design in social research (2002)Research design in social res…Research Design in Social Research (2001)Research Design in Social Res…Cultures of Popular Music (2001)Cultures of Popular Music7. “Nuthin’ But a G Thang” (2001)7. “Nuthin’ But a G Thang”You da man: Narrating the racial other in the production of white masculinity (1999)You da man: Narrating the rac…Yorkville Crossing: White teens, hip hop and African American English (1999)Yorkville Crossing: White tee…Language, culture and identity: With (another) look at accents in pop and rock singing (1999)Language, culture and identit…“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)“The Chain Remain the Same” C…Sociolinguistics (1996)SociolinguisticsAustralian English : the language of a new society (1989)Australian English : the lang…Variation in Australian English: The Sociolects of Sydney (1984)Variation in Australian Engli…‘No’ Dimo’ par de Botella’ y Ahora Etamo’ Al Garete’: Exploring the Intersections of Coda /s/, Place, and the Reggaetón Voice (2024)‘No’ Dimo’ par de Botella’ y …Pop Song English as a supralocal norm (2023)Pop Song English as a supralo…English Rock and Pop Performances (2022)English Rock and Pop Performa…[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR (2022)[Dr]illing in the name of: th…The ‘street’ construct and mass-mediated identities in Nigerian hip hop (2020)The ‘street’ construct and ma…Sociophonetics of popular music: insights from corpus analysis and speech perception experiments (2019)Sociophonetics of popular mus…Assessing hip-hop discourse: Linguistic realness and styling (2019)Assessing hip-hop discourse: …Leveraging poetry on the airwaves: appropriating linguistic creativity in Nigerian hip hop lyrics (2018)Leveraging poetry on the airw…Global reggae and the appropriation of Jamaican Creole (2018)Global reggae and the appropr…Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style (2017)Rihanna Works Her Multivocal …Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience (2014)Polynesian Youth Hip Hop: Int…Identity Performance in British Rock and Indie Music : Authenticity, Stylization, and Glocalization (2014)Identity Performance in Briti…Communication across Cultures (2014)Communication across CulturesRoma rap and the Black Train: minority voices in Hungarian hip hop (2010)Roma rap and the Black Train:…Hip-hop in a Post-insular Community (2009)Hip-hop in a Post-insular Com…Communication Across Cultures: Mutual Understanding in a Global World (2007)Communication Across Cultures…Rockin' the boat: mass music and mass movements (1993)Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Misogyny in Rap Music (2009)English with an Accent (2012)Talking voices : Repetition, dialogue, and imagery in conversational discourse. (Studies in Interactional Sociolinguistics, 6.) By Deborah Tannen. Cambridge: Cambridge University Press, 1989. Pp. x, 240. Cloth $49.50, paper $14.95. (1991)Crossing: Language and Ethnicity Among Adolescents (2000)Youth and Cultural Practice (2002)Theorizing identity in language and sexuality research (2004)A Question of Representation in Educational Discourse: Multiplicities and Intersections of Identities and Positionalities (2005)Stuart Hall: Critical Dialogues in Cultural Studies (2006)The Social Stratification of English in New York City. (1968)Directions in Sociolinguistics: The Ethnography of Communication (1973)Styling the worker: Gender and the commodification of language in the globalized service economy (2000)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Language: An Introduction to the Study of Speech (1922)Course in General Linguistics (1960)Rules and representations (1980)Children, adolescents, and language change (1996)Negotiation of identities in multilingual contexts (2001)Contact, the feature pool and the speech community: The emergence of Multicultural London English (2011)The Cambridge Handbook of Endangered Languages (1999)Hybridity and the rise of Korean popular culture in Asia (2005)Plugged in: Remote Australian Indigenous Youth and Digital Culture (2010)Community Benefit Tourism Initiatives—A conceptual oxymoron? (2007)A Typology for the Case Study in Social Science Following a Review of Definition, Discourse, and Structure (2011)Case Study Methodology of Qualitative Research: Key Attributes and Navigating the Conundrums in Its Application (2020)Sex and Gender in Variationist Research (2004)Dialect Change (2005)Computational linguistics (2015)A Sociolinguistic History of Parisian French (2004)Structural Holes and Good Ideas (2004)Music and the Global Order (2004)Changing Communicative Needs, Revised Assessment Objectives: Testing English as an International Language (2006)Proactive CSR: An Empirical Analysis of the Role of its Economic, Social and Environmental Dimensions on the Association between Capabilities and Performance (2012)
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References

  • 2001Research Design in Social Research1,108 cited
  • 2002Research design in social research774 cited
  • 2017Sociolinguistic Theory640 cited
  • 1996Sociolinguistics437 cited
  • 1999You da man: Narrating the racial other in the production of white masculinity417 cited
  • 2003Global noise - Rap and Hip-Hop outside the USA374 cited
  • 1999Yorkville Crossing: White teens, hip hop and African American English355 cited
  • 1984Variation in Australian English: The Sociolects of Sydney297 cited
  • 2003Global Noise: Rap and Hip‐Hop outside the USA.285 cited
  • 1997“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation267 cited
  • 2001Cultures of Popular Music241 cited
  • 2003Global Pop, Local Language166 cited
  • 1989Australian English : the language of a new society133 cited
  • 2002STREET-CONSCIOUS COPULA VARIATION IN THE HIP HOP NATION112 cited
  • 1999Language, culture and identity: With (another) look at accents in pop and rock singing111 cited
  • 20017. “Nuthin’ But a G Thang”103 cited

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Cited by

  • 2007Communication Across Cultures: Mutual Understanding in a Global World71 cited
  • 2017Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style61 cited
  • 2014Communication across Cultures42 cited
  • 2018Global reggae and the appropriation of Jamaican Creole35 cited
  • 2009Hip-hop in a Post-insular Community23 cited
  • 2018Leveraging poetry on the airwaves: appropriating linguistic creativity in Nigerian hip hop lyrics17 cited
  • 2010Roma rap and the Black Train: minority voices in Hungarian hip hop15 cited
  • 2019Assessing hip-hop discourse: Linguistic realness and styling14 cited
  • 2023Pop Song English as a supralocal norm12 cited
  • 2019Sociophonetics of popular music: insights from corpus analysis and speech perception experiments11 cited
  • 2022English Rock and Pop Performances10 cited
  • 2014Polynesian Youth Hip Hop: Intersubjectivity and Australia's Multicultural Audience9 cited
  • 2020The ‘street’ construct and mass-mediated identities in Nigerian hip hop6 cited
  • 2022[Dr]illing in the name of: the criminalisation of Sydney drill group ONEFOUR6 cited
  • 2014Identity Performance in British Rock and Indie Music : Authenticity, Stylization, and Glocalization4 cited
  • 2024‘No’ Dimo’ par de Botella’ y Ahora Etamo’ Al Garete’: Exploring the Intersections of Coda /s/, Place, and the Reggaetón Voice2 cited