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Archeological applications of XAFS: prehistorical paintings and medieval glasses
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Archeological applications of XAFS: prehistorical paintings and medieval glasses (2005)Archeological applications of XAFS: prehi…Palaeolithic painting matter: natural or heat-treated pigment? (2004)Palaeolithic painting matter:…Fe and Mn K-edge XANES study of ancient Roman glasses (2002)Fe and Mn K-edge XANES study …From mastodon ivory to gemstone: The origin of turquoise color in odontolite (2001)From mastodon ivory to gemsto…Using Synchrotron Radiation for Characterization of Cultural Heritage Materials (2020)Using Synchrotron Radiation f…Synchrotron Radiation in Art, Archaelogy and Cultural Heritage (2014)Synchrotron Radiation in Art,…Archaeometrical analyses of glass cakes and vitreous mosaic tesserae from Messina (Sicily, Italy) (2008)Archaeometrical analyses of g…Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France) (2001)Analysis of rock art painting and technology of Palaeolithic painters (2003)L’analyse de l’art préhistorique (2009)Characterization and origin of black and red Magdalenian pigments from Grottes de la Garenne (Vallée moyenne de la Creuse-France): a mineralogical and geochemical approach of the study of prehistorical paintings (2011)Thermally-induced color transformation of hematite: insight into the prehistoric natural pigment preparation (2022)Compositional Categories of Ancient Glass (1961)THE RAW MATERIALS OF EARLY GLASS PRODUCTION (1985)ARCHAEOMETRICAL INVESTIGATION OF SICILIAN EARLY BYZANTINE GLASS: CHEMICAL AND SPECTROSCOPIC DATA* (2009)A XANES study of chromophores in archaeological glass (2012)X–Ray Based Methods of Analysis (2013)Conservation of Glass (1992)The use and origin of antimonate colorants in early Egyptian glass* (2002)Characterization of yellow and colorless decorative glasses from the Temple of the Emerald Buddha, Bangkok, Thailand (2013)Colourants and opacifiers of mosaic glass tesserae from Khirbet al-Mafjar (Jericho, Palestine): addressing technological issues by a multi-analytical approach and evaluating the potentialities of thermoluminescence and optically stimulated luminescence dating (2017)Making make-up in Ancient Egypt (1999)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Trace element composition of archaeological bones and post-mortem alteration in the burial environment (1999)Novel interface for cultural heritage at SOLEIL (2006)Synchrotron radiation and cultural heritage: combined XANES/XRF study at Mn K-edge of blue, grey or black coloured palaeontological and archaeological bone material (2008)Color origin and heat evidence of paleontological bones: Case study of blue and gray bones from San Josecito Cave, Mexico (2009)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)Deterioration of the seventeenth-century warship Vasa by internal formation of sulphuric acid (2002)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Synchrotron Radiation-Based Micro-XANES and Micro-XRF Study of Unsuccessfully Produced Egyptian Blue from the Late Hellenistic Production Site of Kos (Dodecanese, Greece) (2021)
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References

  • 2002Fe and Mn K-edge XANES study of ancient Roman glasses42 cited
  • 2004Palaeolithic painting matter: natural or heat-treated pigment?39 cited
  • 2001From mastodon ivory to gemstone: The origin of turquoise color in odontolite37 cited

Cited by

  • 2008Archaeometrical analyses of glass cakes and vitreous mosaic tesserae from Messina (Sicily, Italy)20 cited
  • 2020Using Synchrotron Radiation for Characterization of Cultural Heritage Materials14 cited
  • 2014Synchrotron Radiation in Art, Archaelogy and Cultural Heritage11 cited

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