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What is bluegrass anyway? Category formation, debate and the framing of musical genre
16 references·1 citing·34 second hop
What is bluegrass anyway? Category formation, debate and the framing of musical genre (2012)What is bluegrass anyway? Category format…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Genre in Popular Music (2007)Genre in Popular MusicUnplayed melodies: Javanese gamelan and the genesis of music theory (2005)Unplayed melodies: Javanese g…Real Country: Music and Language in Working-Class Culture (2004)Real Country: Music and Langu…Real Country (2004)Real CountryConceptualizing music: cognitive structure, theory, and analysis (2003)Conceptualizing music: cognit…Authenticity as authentication (2002)Authenticity as authenticationTramps like Us: Music and Meaning among Springsteen Fans (2001)Tramps like Us: Music and Mea…Romancing the Folk: Public Memory and American Roots Music (2001)Romancing the Folk: Public Me…Reconsidering rock (2001)Reconsidering rockTramps Like Us (1998)Tramps Like UsPerforming Rites (1996)Performing RitesDissonant Identities: The Rock'n'Roll Scene in Austin, Texas (1996)Dissonant Identities: The Roc…Transforming tradition: folk music revivals examined (1994)Transforming tradition: folk …The study of folk music in the modern world (1989)The study of folk music in th…Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Th…“Genrefluid” Spotify Playlists and Mediations of Genre and Identity in Music Streaming (2023)“Genrefluid” Spotify Playlist…Consolidating the music scenes perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)3.2. MARXISM AND LITERATURE (2006)Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Popular Culture in Early Modern Europe (2017)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Celebrity Politicians: Popular Culture and Political Representation (2004)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Shrines and Pilgrimage in the Modern World : New Itineraries into the Sacred (2008)Music Revivals: Towards a General Theory (1999)Wired for sound: engineering and technologies in sonic cultures (2005)Musical Communities: Rethinking the Collective in Music (2011)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Representativeness Revisited: Attribute Substitution in Intuitive Judgment (2002)Core affect and the psychological construction of emotion. (2003)Doing anthropology in sound (2004)Soundscapes: Toward a Sounded Anthropology (2010)Anthropology and Voice (2014)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)The economy of live music in the digital age (2010)Control, curation and musical experience in streaming music services (2015)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)Language as shaped by the brain (2008)Stimulated Recall Interviews in Ethnography (2010)Evaluating Conceptual Metaphor Theory (2011)
this work references cited by second hop

References

  • 1987Women, Fire, and Dangerous Things12,688 cited
  • 1996Performing Rites1,123 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2002Authenticity as authentication485 cited
  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 2004Real Country301 cited
  • 2007Genre in Popular Music262 cited
  • 1996Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas241 cited
  • 1989The study of folk music in the modern world191 cited
  • 2001Tramps like Us: Music and Meaning among Springsteen Fans189 cited
  • 1998Tramps Like Us179 cited
  • 2001Romancing the Folk: Public Memory and American Roots Music169 cited
  • 2001Reconsidering rock144 cited
  • 2004Real Country: Music and Language in Working-Class Culture134 cited
  • 2005Unplayed melodies: Javanese gamelan and the genesis of music theory130 cited
  • 1994Transforming tradition: folk music revivals examined110 cited

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  • 2023

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“Genrefluid” Spotify Playlists and Mediations of Genre and Identity in Music Streaming
5 cited