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Performance Practice Versus Performance Analysis: Why Should Performers Study Performance
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Performance Practice Versus Performance Analysis: Why Should Performers Study Performance (1996)Performance Practice Versus Performance A…Translating musical meaning (2023)Translating musical meaningThe (f)utility of performance analysis (2023)The (f)utility of performance…Music in Profile (2023)Music in ProfileSinging Herself: Adelina Patti and the Performance of Femininity (2018)Singing Herself: Adelina Patt…Go To Hell : Towards a Gesture-Based Compositional Practice (2016)Go To Hell : Towards a Gestur…"More Than The Mere Notes": Incorporating Analytical Skills into the Collaborative Pianist's Process in Learning, Rehearsing, and Performing Repertoire (2016)"More Than The Mere Notes": I…Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998 (2011)Variety in Performance: A com…Cultural Contexts of Exclusion: Women College Band Directors (2003)Cultural Contexts of Exclusio…Clouds or fog? Demystifying meter, harmony, and structure in Debussy'sNuages (2000)Clouds or fog? Demystifying m…Outsiders; studies in the sociology of deviance (1963)Men and Women of the Corporation. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)The Personal and Professional Life Experiences of Three Lesbian Middle and High School Instrumental Band Conductors. (2012)Singing while female: A narrative study on gender, identity & experience of female voice in cis, transmasculine & non-binary singers (2019)Issues Facing Female Band Directors at the High School and College Levels: A Review of Literature (2022)A source book of Gestalt psychology. (1938)Contemporary Composers on Contemporary Music (1968)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The postmodern condition (1994)Commercial Sound Recordings and Trends in Expressive Music Performance (2014)Musical Form and Musical Performance (1971)On the Problem of Musical Analysis (1982)On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)Seeing music performance: Visual influences on perception and experience (2005)Space-form and the acousmatic image (2007)Journal of Curriculum Theorizing (2010)Myths of Sexuality: Representations of Women in Victorian Britain (1989)Making Sex: Body and Gender from the Greeks to Freud (1994)New York and London (2014)The Female Sublime: Domesticating Luigia Todi’s Voice (2021)Technologies of the self: a seminar with Michel Foucault (1988)The Narrative Construction of Reality (1991)Autoethnography: An Overview (2010)Performing Knowledge (2020)
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Cited by

  • 2018Singing Herself: Adelina Patti and the Performance of Femininity36 cited
  • 2023Translating musical meaning19 cited
  • 2003Cultural Contexts of Exclusion: Women College Band Directors19 cited
  • 2016Go To Hell : Towards a Gesture-Based Compositional Practice9 cited
  • 2023Music in Profile7 cited
  • 2011Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 19987 cited
  • 2023The (f)utility of performance analysis4 cited
  • 2016"More Than The Mere Notes": Incorporating Analytical Skills into the Collaborative Pianist's Process in Learning, Rehearsing, and Performing Repertoire4 cited
  • 2000Clouds or fog? Demystifying meter, harmony, and structure in Debussy'sNuages3 cited

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