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The Spaces of Human Confinement: Manzanar Photography and Landscape Ideology
5 references·0 citing·12 second hop
The Spaces of Human Confinement: Manzanar Photography and Landscape Ideology (2008)The Spaces of Human Confinement: Manzanar…Landscape and Power (2015)Landscape and Power"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake (1996)"The Color of My Skin, the Sh…The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875. (1995)The Empire of the Eye: Landsc…Seeing straight: the f.64 revolution in photography (1993)Seeing straight: the f.64 rev…Dorothea Lange and the Documentary Tradition (1981)Dorothea Lange and the Docume…The body in pain (1985)The Burden of Representation: Essays on Photographies and Histories. (1989)The Critical Image: Essays on Contemporary Photography (1990)Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home (2004)The Rhizomatic Relations of A/r/tography (2006)Opposing Wind Energy Landscapes: A Search for Common Cause (2011)Gender, Nation, and the Tourist Gaze in the European "Year of Revolutions": Kirkland's Holidays Abroad (2002)Climate Change, Environmental Aesthetics, and Global Environmental Justice Cultural Studies (2007)Ecocriticism (2011)“Cameras ‘never lie’”: The Role of Photography in Telling the Story of American Evangelical Missions (2003)Photographing Objects as Queer Archival Practice (2014)Beaumont Newhall's ‘Photography 1839–1937’ Making History (1997)
this work references cited by second hop

References

  • 2015Landscape and Power403 cited
  • 1981Dorothea Lange and the Documentary Tradition48 cited
  • 1995The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875.38 cited
  • 1996"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake29 cited
  • 1993Seeing straight: the f.64 revolution in photography18 cited

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