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Copy-and-Persist: The Logic of Mash-Up Culture
10 references·16 citing·35 second hop
Copy-and-Persist: The Logic of Mash-Up Culture (2007)Copy-and-Persist: The Logic of Mash-Up Cu…The Cultural Industries (2019)The Cultural IndustriesDistinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Subculture (2010)SubcultureThe Audible Past (2003)The Audible PastSounds English: Transnational Popular Music (2002)Sounds English: Transnational…The British Dance Music Industry: A Case Study of Independent Cultural Production (1998)The British Dance Music Indus…Energy Flash: A Journey Through Rave Music and Dance Culture (1998)Energy Flash: A Journey Throu…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…The influence of generative AI on popular music: Fan productions and the reimagination of iconic voices (2024)The influence of generative A…The role of mashup music in creating Web 2.0’s democratic promise (2021)The role of mashup music in c…Remix’s retreat? Content moderation, copyright law and mashup music (2021)Remix’s retreat? Content mode…Evaluating environmental sustainability strategies in freight transport and logistics industry (2020)Evaluating environmental sust…Gendered Power Relationships in Mashups (2018)Gendered Power Relationships …Toward multimodal inquiry: opportunities, challenges and implications of multimodality for research and scholarship (2017)Toward multimodal inquiry: op…The emergence and historical decay of the mash up (2017)The emergence and historical …Developing the WH 2 framework for environmental sustainability in logistics service providers: A taxonomy of green initiatives (2017)Developing the WH 2 framework…Copying, copyright and originality: imitation, transformation and popular musicians (2017)Copying, copyright and origin…Justin Bieber Featuring Slipknot (2016)Justin Bieber Featuring Slipk…The hidden demography of new media ethics (2013)The hidden demography of new …Mashing (2013)MashingWhat Does it Matter Who is Speaking? Authorship, Authority, and the Mashup (2012)What Does it Matter Who is Sp…The Media Contingencies of Generation Mashup: A Žižekian Critique (2012)The Media Contingencies of Ge…Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups (2012)Contextual incongruity and mu…ETHICS RECONFIGURED (2009)ETHICS RECONFIGUREDThe consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Systems of articulation, logics of change: Communities and scenes in popular music (1991)ARTISTIC LABOR MARKETS AND CAREERS (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)Cultural economy: a critical review (2005)Three Approaches to Qualitative Content Analysis (2005)From a literature review to a conceptual framework for sustainable supply chain management (2008)Document Analysis as a Qualitative Research Method (2009)Moving towards environmental sustainability: information and communication technology (ICT), freight transport, and CO2 emissions (2021)Exploring sustainable logistics practices toward a circular economy: A value creation perspective (2022)Supply chain innovation research: A bibliometric network analysis and literature review (2022)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)The Production of Culture Perspective (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Relevance of Algorithms (2014)Digitalization (2016)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Producing nightlife in the new urban entertainment economy: corporatization, branding and market segmentation (2003)‘Binge’ drinking, British alcohol policy and the new culture of intoxication (2005)The Marketplace Management of Illicit Pleasure (2008)Youth and Cultural Practice (2002)‘Insider Research’ in the Study of Youth Cultures (2005)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1995Subculture: The Meaning of Style3,813 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 2003The Audible Past1,821 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2010Subculture1,268 cited
  • 2019The Cultural Industries1,153 cited
  • 1998Energy Flash: A Journey Through Rave Music and Dance Culture297 cited
  • 1998The British Dance Music Industry: A Case Study of Independent Cultural Production156 cited
  • 2002Sounds English: Transnational Popular Music53 cited

Cited by

  • 2020Evaluating environmental sustainability strategies in freight transport and logistics industry128 cited
  • 2017Developing the WH 2 framework for environmental sustainability in logistics service providers: A taxonomy of green initiatives95 cited
  • 2021Remix’s retreat? Content moderation, copyright law and mashup music42 cited
  • 2012Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups37 cited
  • 2017Copying, copyright and originality: imitation, transformation and popular musicians

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27 cited
  • 2013Mashing24 cited
  • 2017Toward multimodal inquiry: opportunities, challenges and implications of multimodality for research and scholarship23 cited
  • 2009ETHICS RECONFIGURED19 cited
  • 2012What Does it Matter Who is Speaking? Authorship, Authority, and the Mashup18 cited
  • 2024The influence of generative AI on popular music: Fan productions and the reimagination of iconic voices17 cited
  • 2013The hidden demography of new media ethics12 cited
  • 2012The Media Contingencies of Generation Mashup: A Žižekian Critique7 cited
  • 2017The emergence and historical decay of the mash up6 cited
  • 2021The role of mashup music in creating Web 2.0’s democratic promise5 cited
  • 2018Gendered Power Relationships in Mashups4 cited
  • 2016Justin Bieber Featuring Slipknot4 cited