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Cited by

• 2014Rhymin' and stealin': musical borrowing in hip-hop32 cited
• 2012Introduction: Gender, Sexuality, and the Soundtrack29 cited
• 2010Call it Swing: A Jazz Blues Autoethnography27 cited
• 2007White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters24 cited
• 2004Early Jazz Literature (And Why You Didn't Know)21 cited
• 2008A short history of film15 cited
• 2015Jazz and the critical potential of heteronomous expressive form14 cited
• 1999Evidence: Monk as Documentary Subject13 cited
• 2010The Jazz Image13 cited
• 2008Paul Robeson's Ballad for Americans: Race and the Cultural Politics of “People's Music”13 cited
• 2016‘Our Soviet Americanism’:Jolly Fellows, Music, and Early Soviet Cultural Ideology13 cited
• 2005Ambi‐diegetic Music in the Movies: The Crosby Duets in High Society12 cited
• 2008Music meanings in movies: The case of the crime‐plus‐jazz genre11 cited
• 2002An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-193711 cited
• 2006Visualizing “The Sound of Genius”: Glenn Gould and The Culture of Celebrity in the 1950s