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Specters of the novel:Draculaand the cinematic afterlife of the Victorian novel
16 references·1 citing·31 second hop
Specters of the novel:Draculaand the cinematic afterlife of the Victorian novel (2000)Specters of the novel:Draculaand the cine…Fetishism and Curiosity (2013)Fetishism and CuriosityVampires, mummies, and liberals: Bram Stoker and the politics of popular fiction (1997)Vampires, mummies, and libera…Looking for the Other: Feminism, Film and the Imperial Gaze (1997)Looking for the Other: Femini…The Cinematic Society: The Voyeur's Gaze (1995)The Cinematic Society: The Vo…The cinematic society: the voyeur's gaze (1995)The cinematic society: the vo…Femmes fatales: feminism, film theory, psychoanalysis (1993)Femmes fatales: feminism, fil…Vampiric Typewriting: Dracula and Its Media (1992)Vampiric Typewriting: Dracula…Signatures of the Visible (1992)Signatures of the VisibleThe Novel and the Police (1990)The Novel and the PoliceIn the realm of pleasure: Von Sternberg, Dietrich, and the masochistic aesthetic (1989)In the realm of pleasure: Von…Femmes Fatales: Feminism, Film Theory, Psychoanalysis (1986)Femmes Fatales: Feminism, Fil…Literature and history (1985)Literature and historyDreadful Pleasures: An Anatomy of Modern Horror (1985)Dreadful Pleasures: An Anatom…Film theory and criticism (1979)Film theory and criticismThe Imaginary Signifier (1975)The Imaginary SignifierNovels into Film (1957)Novels into FilmSex, Terror, and Bram Stoker's Dracula: Coppola's Reinvention of Film History (2013)Sex, Terror, and Bram Stoker'…Visual Pleasure and Narrative Cinema (1975)Psychoanalysis and Cinema (1982)Sexual visions: images of gender in science and medicine between the eighteenth and twentieth centuries (1990)Reading humanitarian intervention : human rights and the use of force in international law (2003)Femme Fatale--Negotiations of Tragic Desire (2004)Animation and Automation – The Liveliness and Labours of Bodies and Machines (2012)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)CEO Portraits and the Authenticity Paradox* (2005)Visibility (2007)Subversive strategies: Masochism, gender and power in Kōno Taeko’s “Toddler-Hunting” (2000)Psychoanalytic Film Theory (2003)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)New Media: A Critical Introduction (2003)New Vocabularies in Film Semiotics (2005)Popular culture and professional identity: Accountants in the movies (1994)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)Methodology of the Oppressed (2010)Pornography, Exploitation, and Interracial Lust (2004)RELOCATING AMERICAN FILM HISTORY (2006)Shine: On Race, Glamour, and the Modern (2011)Epistemology of the Closet (1990)Literary Theory: A Very Short Introduction (1999)The times we’re in: Queer feminist criticism and the reparative ‘turn’ (2014)Beyond Bollywood : the cultural politics of South Asian diasporic film (2004)Ovid's Lovers: Desire, Difference and the Poetic Imagination (2006)Interior Colonies: Frantz Fanon and the Politics of Identification (1994)Transformations: Thinking Through Feminism (2005)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Anime from Akira to Princess Mononoke (2001)In Defense of Sentimentality (2004)
this work references cited by second hop

References

  • 1990The Novel and the Police525 cited
  • 1997Looking for the Other: Feminism, Film and the Imperial Gaze498 cited
  • 1993Femmes fatales: feminism, film theory, psychoanalysis400 cited
  • 1992Signatures of the Visible397 cited
  • 1986Femmes Fatales: Feminism, Film Theory, Psychoanalysis337 cited
  • 1975The Imaginary Signifier279 cited
  • 2013Fetishism and Curiosity271 cited
  • 1985Dreadful Pleasures: An Anatomy of Modern Horror262 cited
  • 1979Film theory and criticism230 cited
  • 1989In the realm of pleasure: Von Sternberg, Dietrich, and the masochistic aesthetic190 cited
  • 1992Vampiric Typewriting: Dracula and Its Media187 cited
  • 1995The Cinematic Society: The Voyeur's Gaze162 cited
  • 1995The cinematic society: the voyeur's gaze150 cited
  • 1957Novels into Film146 cited
  • 1985Literature and history136 cited
  • 1997Vampires, mummies, and liberals: Bram Stoker and the politics of popular fiction107 cited

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  • 2013

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Sex, Terror, and Bram Stoker's Dracula: Coppola's Reinvention of Film History
5 cited