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Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art*
14 references·16 citing·37 second hop
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means: an arts/science interface (2002)Pigment identification by spe…Micro-PIXE analysis of an ancient Egyptian papyrus: Identification of pigments used for the “Book of the Dead” (2001)Micro-PIXE analysis of an anc…Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Raman spectroscopic analysis …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Ochre-differentiation through…Obsidian Characterization by Laser Ablation ICP-MS and its Application to Prehistoric Trade in the Mediterranean and the Near East: Sources and Distribution of Obsidian within the Aegean and Anatolia (1999)Obsidian Characterization by …XRD study of the goethite-hematite transformation: Application to the identification of heated prehistoric pigments (1998)XRD study of the goethite-hem…The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments 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application of X-ray fl…Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments (2016)Elemental fingerprinting of K…Blombos Cave: Middle Stone Age ochre differentiation through FTIR, ICP OES, ED XRF and XRD (2015)Blombos Cave: Middle Stone Ag…PIXE identification of the provenance of ferruginous rocks used by Neanderthals (2014)PIXE identification of the pr…Ochre fingerprints: Distinguishing among M alawian mineral pigment sources with H omogenized O chre C hip LA–ICPMS (2014)Ochre fingerprints: Distingui…An LA-ICP-MS trace element classification of ochres in the Weld Range environ, Mid West region, Western Australia (2014)An LA-ICP-MS trace element cl…The Source of Iron‐Oxide Pigments Used in Pecos River Style Rock Paints (2013)The Source of Iron‐Oxide Pigm…One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley, Northern Australia (2013)One Colour, 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References

  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
  • 1999Obsidian Characterization by Laser Ablation ICP-MS and its Application to Prehistoric Trade in the Mediterranean and the Near East: Sources and Distribution of Obsidian within the Aegean and Anatolia333 cited
  • 1994Bad Aboriginal Art: Tradition, Media, and Technological Horizons266 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 2002The Oxford companion to Aboriginal art and culture182 cited
  • 2000Raman spectroscopic analysis of pigments and substrata in prehistoric rock art137 cited
  • 2004Analysis of red and yellow ochre samples from Clearwell Caves and Çatalhöyük by vibrational spectroscopy and other techniques105 cited
  • 1998XRD study of the goethite-hematite transformation: Application to the identification of heated prehistoric pigments93 cited
  • 1998The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments92 cited
  • 2004Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy77 cited
  • 2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
  • 2001Micro-PIXE analysis of an ancient Egyptian papyrus: Identification of pigments used for the “Book of the Dead”

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69 cited
  • 2004Non-destructive XRF analysis of paintings66 cited
  • Cited by

    • 2013One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley, Northern Australia51 cited
    • 2012Taphonomy Or Paint Recipe: In situ portable x-ray fluorescence analysis of two anthropomorphic motifs from the Woronora Plateau, New South Wales49 cited
    • 2015Blombos Cave: Middle Stone Age ochre differentiation through FTIR, ICP OES, ED XRF and XRD46 cited
    • 2016Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments46 cited
    • 2014An LA-ICP-MS trace element classification of ochres in the Weld Range environ, Mid West region, Western Australia45 cited
    • 2019Long-distance transport of red ocher by Clovis foragers42 cited
    • 2011PIXE characterisation of prehistoric pigments from Abri Pataud (Dordogne, France)39 cited
    • 2011Non-destructive provenance differentiation of prehistoric pigments by external PIXE38 cited
    • 2014PIXE identification of the provenance of ferruginous rocks used by Neanderthals32 cited
    • 2014Ochre fingerprints: Distinguishing among M alawian mineral pigment sources with H omogenized O chre C hip LA–ICPMS32 cited
    • 2013The Source of Iron‐Oxide Pigments Used in Pecos River Style Rock Paints31 cited
    • 2021Data pretreatment and multivariate analyses for ochre sourcing: Application to Leopard Cave (Erongo, Namibia)27 cited
    • 2009Elemental and mineralogical study of earth-based pigments using particle induced X-ray emission and X-ray diffraction23 cited
    • 2017Textural, microstructural, and compositional characteristics of Fe‐based geomaterials and Upper Paleolithic ocher in the Lessini Mountains, Northeast Italy: Implications for provenance studies23 cited
    • 2016Novel application of X-ray fluorescence microscopy (XFM) for the non-destructive micro-elemental analysis of natural mineral pigments on Aboriginal Australian objects20 cited
    • 2016Procurement strategies of Neolithic colouring materials: Territoriality and networks from 6th to 5th millennia BCE in North-Western Mediterranean19 cited