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Wagner, the Overture, and the Aesthetics of Musical Form · Study

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ArticleWagner, the Overture, and the Aesthetics of Musical Form

Thomas S. Grey1988

Article1988

Wagner, the Overture, and the Aesthetics of Musical Form

17 citations·0/0 files stored·19th-Century Music

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Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

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References

1935Essays in Musical Analysis 1936Essays in Musical Analysis

Cited by

2009Form, Program, and Metaphor in the Music of Berlioz 1998Wagner, Deafness, and the Reception of Beethoven's Late Style 2017Liszt and the Symphonic Poem 1996"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony 2000Schubert's Homecoming 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music 2021Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century 2019Music and Narrative in the Eighteenth Century: Gluck’s Iphigénie en Aulide as Dramatic Tableau

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1993The Effect of Background Music on Ad Processing: A Contingency Explanationarticle · 2 shared references 1989The Bifocal Close and the Evolution of the Viennese Classical Stylearticle · 2 shared references 1980Influence: Plagiarism and Inspirationarticle · 2 shared references 1993Berlioz's "Messe solennelle"article · 2 shared references 2018Monotonality and Scalar Modulation in Sibelius’s Tapiolaarticle · 2 shared references 1981The Aesthetics of Musicarticle · 1 shared reference

Details

Year1988

Typearticle

Published1988-01-01

Venue19th-Century Music

ISSN-L0148-2076

Languageen

Citations17

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1525/ncm.1988.12.1.02a00010

openalex_workW2045364332

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