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Wagner, the Overture, and the Aesthetics of Musical Form
2 references·9 citing·42 second hop
Wagner, the Overture, and the Aesthetics of Musical Form (1988)Wagner, the Overture, and the Aesthetics …Essays in Musical Analysis (1936)Essays in Musical AnalysisEssays in Musical Analysis (1935)Essays in Musical AnalysisParallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century (2021)Parallel Binary or Tripartite…Music and Narrative in the Eighteenth Century: Gluck’s Iphigénie en Aulide as Dramatic Tableau (2019)Music and Narrative in the Ei…Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)Form and the Large-Scale Conn…Liszt and the Symphonic Poem (2017)Liszt and the Symphonic PoemIphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France (2012)Iphigénie à Paris: Positionin…Form, Program, and Metaphor in the Music of Berlioz (2009)Form, Program, and Metaphor i…Schubert's Homecoming (2000)Schubert's HomecomingWagner, Deafness, and the Reception of Beethoven's Late Style (1998)Wagner, Deafness, and the Rec…"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony (1996)"Breakthrough" as Critique of…Franz Schubert and the Peacocks of Benvenuto Cellini (1989)Recognitions: A Study in Poetics (1990)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Edward Elgar, Modernist (2006)Schubert’s Harmonic Language and Fourier Phase Space (2015)The World as Will and Representation. (1959)Gesellschaft und Demokratie in Deutschland (1967)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Extraordinary Measures (2011)Die protestantische Ethik und der "Geist" des Kapitalismus (2015)The New Grove Dictionary of Music and Musicians (1981)Late Marxism: Adorno, or, the Persistence of the Dialectic (1990)Rotational Form,Teleological Genesis, and Fantasy-Projection in the Slow Movement of Mahler's Sixth Symphony (2001)The New Grove dictionary of music and musicians (2001)Awakening Dead Time: Adorno on Husserl, Benjamin, and the Temporality of Music (2012)Hollywood Cadences (2013)Anatomy of Criticism (1957)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Franz Liszt's Heir: Ferruccio Busoni and Weimar (2019)Intertextuality, Subjectivity, and Meaning in Liszt’s Deux Polonaises (2019)Ave, Libertas!, Op. 18 de Leopoldo Miguéz, considerações sobre a estrutura musical (2021)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Dvořák and Subordinate Theme Closure (2020)Rethinking Brahms (2022)Once More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Classical Form (1998)The Dialogic Imagination: Four Essays (1982)The Body in the Mind (1987)Metaphors We Live By (2003)In Search of Romantic Form (2013)Beyond the Classical Cadence: Thematic Closure in Early Romantic Music (2018)Brahms's Elegies (2019)Influence: Plagiarism and Inspiration (1980)The Bifocal Close and the Evolution of the Viennese Classical Style (1989)The Effect of Background Music on Ad Processing: A Contingency Explanation (1993)The Aesthetics of Music (1981)Theorizing Musical Meaning (2001)
this work references cited by second hop

References

  • 1935Essays in Musical Analysis111 cited
  • 1936Essays in Musical Analysis70 cited

Cited by

  • 2009Form, Program, and Metaphor in the Music of Berlioz83 cited
  • 1998Wagner, Deafness, and the Reception of Beethoven's Late Style82 cited
  • 2017Liszt and the Symphonic Poem56 cited
  • 1996"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony54 cited
  • 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music33 cited
  • 2000Schubert's Homecoming33 cited
  • 2021Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century16 cited
  • 2019Music and Narrative in the Eighteenth Century: Gluck’s Iphigénie en Aulide as Dramatic Tableau3 cited
  • 2012Iphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France2 cited

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