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To watch from distance: an interactive film model based on Brechtian film theory
16 references·0 citing·29 second hop
To watch from distance: an interactive film model based on Brechtian film theory (2010)To watch from distance: an interactive fi…Narration in the Fiction Film (2013)Narration in the Fiction FilmThe Routledge companion to philosophy and film (2009)The Routledge companion to ph…Cinematic interaction: Fromkinoautomattocause and effect (2005)Cinematic interaction: Fromki…The Story of Film (2004)The Story of FilmUnderstanding Cinema (2003)Understanding CinemaUnderstanding cinema a psychological theory of moving imagery (2003)Understanding cinema a psycho…Future cinema : the cinematic imaginary after film (2003)Future cinema : the cinematic…The Language of New Media (2002)The Language of New MediaNew Screen Media: Cinema/Art/Narrative (2002)New Screen Media: Cinema/Art/…Film Theory: An Introduction (2000)Film Theory: An IntroductionPost-theory: reconstructing film studies (1996)Post-theory: reconstructing f…Film theory: an introduction (1988)Film theory: an introductionNarration in the Fiction Film (1986)Narration in the Fiction FilmAesthetics and Politics (1979)Aesthetics and PoliticsRealism and the Cinema: Notes on some Brechtian theses (1974)Realism and the Cinema: Notes…Brecht on Theatre: The Development of an Aesthetic (1964)Brecht on Theatre: The Develo…Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Knowledge and Critical Pedagogy (2008)Documents and Bureaucracy (2010)The Platformization of the Web: Making Web Data Platform Ready (2015)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Two Unusual Projection Spaces (2005)Cinema 3.0: The Interactive-Image (2010)Reframing Cinematic Space and Audience Practice in the Digital Age (2015)Cross-Cultural Representation of ‘Otherness’ in Media Discourse (2003)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Multimodal analysis within an interactive software environment: critical discourse perspectives (2011)Stage Fright, Animals, and Other Theatrical Problems (2006)A Narrative Policy Framework: Clear Enough to Be Wrong? (2010)Theory Construction in Qualitative Research (2012)Television: Polysemy and popularity (1986)Death Every Afternoon (2003)The Cambridge Introduction to Postmodern Fiction (2009)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)Orwell's heart of darkness: The road to Wigan pier as modernist anthropology (1999)Literary Praxis Beyond the Melodramas of Commitment: Edward Upward, Soviet Aesthetics, and Leftist Self-Fashioning (2013)Engaging Characters (2022)Educating the eye? Kress and Van Leeuwen’s Reading Images: The Grammar of Visual Design (1996) (1999)Transportation Across Media: Repeated Exposure to Print and Film (2008)What's the Point of an Index? or, Faking Photographs (2008)Critical Discourse Analysis. Theory and Interdisciplinarity. (2003)Stranger than Fiction? A Few Methodological Notes on Linguistic Research in Film Discourse (2011)
this work references cited by second hop

References

  • 2002The Language of New Media5,017 cited
  • 1964Brecht on Theatre: The Development of an Aesthetic1,552 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 2000Film Theory: An Introduction431 cited
  • 1988Film theory: an introduction391 cited
  • 1996Post-theory: reconstructing film studies351 cited
  • 1974Realism and the Cinema: Notes on some Brechtian theses248 cited
  • 1979Aesthetics and Politics196 cited
  • 2003Future cinema : the cinematic imaginary after film167 cited
  • 2009The Routledge companion to philosophy and film87 cited
  • 2002New Screen Media: Cinema/Art/Narrative73 cited
  • 2003Understanding Cinema62 cited
  • 2003Understanding cinema a psychological theory of moving imagery47 cited
  • 2005Cinematic interaction: Fromkinoautomattocause and effect33 cited
  • 2004The Story of Film28 cited

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