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Brahms' Third Symphony and the New German School
11 references·3 citing·32 second hop
Brahms' Third Symphony and the New German School (1983)Brahms' Third Symphony and the New German…Frei aber Froh: A Reconsideration (1980)Frei aber Froh: A Reconsidera…Nineteenth-Century Romanticism in Music (1974)Nineteenth-Century Romanticis…Guidelines for Style Analysis (1972)Guidelines for Style AnalysisGuidelines for Style Analysis (1971)Guidelines for Style AnalysisSchumann as critic (1967)Schumann as criticTheory and Practice in Schumann's Aesthetics (1964)Theory and Practice in Schuma…The Main Stream of Music and Other Essays (1950)The Main Stream of Music and …The Main Stream of Music and Other Essays (1950)The Main Stream of Music and …Style and Idea (1950)Style and IdeaEssays in Musical Analysis (1935)Essays in Musical AnalysisWer ist Musikalisch? (1926)Wer ist Musikalisch?B rahms and the P rinciple of D estabilised B eginnings (2009)B rahms and the P rinciple of…Another Look at Critical Partisanship in the Viennese fin de siècle: Schenker's Reviews of Brahms's Vocal Music, 1891-92 (2002)Another Look at Critical Part…Brahms and the Anxiety of Allusion (1998)Brahms and the Anxiety of All…Briefe von und an Joseph Joachim (1911)Erinnerungen an Johannes Brahms (1980)A Choral Symphony by Brahms? (1985)Johannes Brahms (2011)Rethinking Brahms (2022)Explicating Jean Paul: Robert Schumann's Program for "Papillons," Op. 2 (1998)‘The moral background of the work of art’: ‘character’ in German musical aesthetics, 1780–1850 (2012)Disquieting Conversations: Bach, Modernity, and God (2013)The invention of tradition (2001)Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner (2011)Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism (2017)Thematic fame and melodic originality in classical music: A multivariate computer-content analysis1 (1980)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)John Field and the Alternative History of Concerto First-Movement Form (2011)The Process of Janusian Thinking in Creativity (1971)Notes on improvisation and time in organizations (1999)The Onset of Language (2003)Music Criticism in the New York Times and the New York Tribune, 1851-1876. (1980)Choral culture and the regeneration of the organ (2001)Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography (2018)M ozart ' s A rt of R etransition (2011)‘Too much music’: the media of opera (2012)The Cambridge Companion to the Symphony (2013)Sound recording popularity charts: A useful tool for music research (1975)Form, Genre, and Style in the Eighteenth-Century Rondo (1995)Music theory and analysis (2009)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Effect of Background Music on Ad Processing: A Contingency Explanation (1993)A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity (2006)Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint (1987)Sonata Form and the Problem of Second‐Theme Beginnings (2013)The Viennese symphony 1750 to 1827 (2013)
this work references cited by second hop

References

  • 1950Style and Idea204 cited
  • 1972Guidelines for Style Analysis163 cited
  • 1935Essays in Musical Analysis109 cited
  • 1971Guidelines for Style Analysis51 cited
  • 1974Nineteenth-Century Romanticism in Music43 cited
  • 1950The Main Stream of Music and Other Essays41 cited
  • 1950The Main Stream of Music and Other Essays41 cited
  • 1980Frei aber Froh: A Reconsideration36 cited
  • 1967Schumann as critic35 cited
  • 1964Theory and Practice in Schumann's Aesthetics28 cited
  • 1926Wer ist Musikalisch?27 cited

Cited by

  • 1998Brahms and the Anxiety of Allusion10 cited
  • 2009B rahms and the P rinciple of D estabilised B eginnings7 cited
  • 2002Another Look at Critical Partisanship in the Viennese fin de siècle: Schenker's Reviews of Brahms's Vocal Music, 1891-923 cited

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