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Post-capture data analysis as an aid to the interpretation of ultraviolet-induced fluorescence images
4 references·3 citing·26 second hop
Post-capture data analysis as an aid to the interpretation of ultraviolet-induced fluorescence images (2008)Post-capture data analysis as an aid to t…Pigments of English medieval wall painting (2007)Pigments of English medieval …Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Multispectral and hyperspectr…Photoluminescence Spectroscopy of Natural Resins and Organic Binding Media of Paintings (1991)Photoluminescence Spectroscop…Fluorescence of Paint and Varnish Layers (Part III) (1982)Fluorescence of Paint and Var…The ancient use of colouring on the marble statues of Hierapolis of Phrygia (Turkey): an integrated multi-analytical approach (2019)The ancient use of colouring …Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’ (2019)Developing a systematic appro…Visible-induced luminescence imaging: A user-friendly method based on a system of interchangeable and tunable LED light sources (2015)Visible-induced luminescence …National Gallery Technical Bulletin (1979)Identification of pigments by multispectral imaging; a flowchart method (2014)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Fluorescence of Paint and Varnish Layers (Part II) (1982)Non-destructive analysis of organic pigments and dyes using Raman microprobe, microfluorometer or absorption microspectrophotometer (1989)Application of surface‐enhanced Raman spectroscopy (SERS) to the analysis of natural resins in artworks (2008)Excitation emission and time-resolved fluorescence spectroscopy of selected varnishes used in historical musical instruments (2009)Characterising native plant resins from Australian Aboriginal artefacts using ATR-FTIR and GC/MS (2014)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Non‐invasive characterization of yellow dyes in tapestries of the 18th century: Influence of composition on degradation (2021)Multiband Photogrammetry and Hybrid Image Analysis for the Investigation of a Wall Painting by Paolo de San Leocadio and Francesco Pagano in the Cathedral of Valencia (2023)The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)The colour of ochres explained by their composition (2005)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu (2021)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)UV-Vis spectroscopy (2018)In situ investigations of vault paintings in the Antwerp cathedral (2009)Manuscripts of theAnglo-Saxon Chronicle (2011)Pigments—the palette of organic colourants in wall paintings (2021)
this work references cited by second hop

References

  • 2006Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications363 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
  • 2007Pigments of English medieval wall painting67 cited
  • 1991Photoluminescence Spectroscopy of Natural Resins and Organic Binding Media of Paintings37 cited

Cited by

  • 2019Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’17 cited
  • 2015Visible-induced luminescence imaging: A user-friendly method based on a system of interchangeable and tunable LED light sources17 cited
  • 2019The ancient use of colouring on the marble statues of Hierapolis of Phrygia (Turkey): an integrated multi-analytical approach12 cited

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