Drawing and painting in the Italian Renaissance workshop: theory and practice, 1300-1600

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Renaissance and Early Modern Studies Historical Art and Architecture Studies Architecture and Art History Studies

Abstract

1. Introduction: from workshop practice to design theory 2. Processes, materials, tools and labor 3. Traditions of copying 4. The censure of copying practices 5. The splendors of Ornament 6. Toward a scientific design technology in the Quattrocento 7. The Ideal of the 'Ben Finito Cartone in the Cinquecento' 8. The 'Substitute Cartoon' 9. The Art of Disegnare 10. Techniques of Stylus Incisions 11. Spolvero, Calco, and the Technical Virtuosity of Fresco painting.

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2014Religion 2017Shakespeare, Caravaggio, and the Indistinct Regard 2014The Cambridge Companion to the Italian Renaissance 2016Demonstrating Ingenuity: The Display and Concealment of Knowledge in Renaissance Artists’ Workshops 2014Artistic geographies 2014Artists’ workshops 2018Frans Floris (1519/20–1570): Imagining a Northern Renaissance 2022Anchoring the Image of the Sea: Copying Coastlines on Manuscript Nautical Charts from the Late Middle Ages and the Early Modern Period

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