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Drawing and painting in the Italian Renaissance workshop: theory and practice, 1300-1600
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Cited by

  • 2014Religion40 cited
  • 2017Shakespeare, Caravaggio, and the Indistinct Regard32 cited
  • 2014The Cambridge Companion to the Italian Renaissance21 cited
  • 2014Artistic geographies14 cited
  • 2014Artists’ workshops14 cited
  • 2016Demonstrating Ingenuity: The Display and Concealment of Knowledge in Renaissance Artists’ Workshops14 cited
  • 2018Frans Floris (1519/20–1570): Imagining a Northern Renaissance10 cited
  • 2022Anchoring the Image of the Sea: Copying Coastlines on Manuscript Nautical Charts from the Late Middle Ages and the Early Modern Period6 cited
  • 2014La notion d’atelier de l’Antiquité au xixe siècle : chronique d’un appauvrissement sémantique5 cited
  • 2012Gold-Brocaded Velvets in Paintings by Cornelis Engebrechtsz5 cited
  • 2014Philosophy2 cited
  • 2024Illuminating Sixteenth-century Measuring Methods and Map Design: New Findings from Pieter Pourbus’ Chorographic Maps2 cited
  • 2019The Half-Life of Blue1 cited

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