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The networked state: New Zealand on Air and New Zealand’s pop renaissance
6 references·7 citing·47 second hop
The networked state: New Zealand on Air and New Zealand’s pop renaissance (2008)The networked state: New Zealand on Air a…After Neoliberalism? Community Activism and Local Partnerships in Aotearoa New Zealand (2005)After Neoliberalism? Communit…The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The iron cage revisited insti…Partly for the Money: Rewards and Incentives to Artists (2001)Partly for the Money: Rewards…Music industry research: Where now? Where next? Notes from Britain (2000)Music industry research: Wher…Pop and the Nation-State: towards a theorisation (1999)Pop and the Nation-State: tow…The Postmodern Condition: A Report on Knowledge (1984)The Postmodern Condition: A R…New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’. (2018)New Zealand Music in the Popu…The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance (2012)The promotional state ‘after …Local priorities, industry realities: the music quota as cultural exceptionalism (2012)Local priorities, industry re…Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Cultural entrepreneurs, cultu…Popular music as social policy: Hybrid-hierarchies and social inclusion through New Zealand’s pop renaissance (2011)Popular music as social polic…Pop Internationalism: Has A Half Century of World Music Trade Displaced Local Culture? (2010)Pop Internationalism: Has A H…Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand (2010)Deci-belles: Gender and Power…Qualitative research and evaluation methods (1980)Economic Action and Social Structure: The Problem of Embeddedness (1985)Painting the full picture: The conversion of economic, cultural, social and symbolic capital (2015)Cultural entrepreneurship: from making culture to cultural making (2017)Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)The Social System (1951)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)Transaction-Cost Economics: The Governance of Contractual Relations (1979)A Natural-Resource-Based View of the Firm (1995)Managing Legitimacy: Strategic and Institutional Approaches (1995)Toward a Theory of Stakeholder Identification and Salience: Defining the Principle of Who and What Really Counts (1997)Globalization: social theory and global culture (1993)Globalization: Social Theory and Global Culture (2000)When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests (2004)THE SONGS OF THE SIREN: Engineering National Time on Israeli Radio (2009)Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture (2012)Theory and Methods in Political Science (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)The three worlds of welfare capitalism (1990)“Will there be music for us?” Mapping the health and well-being potential of participatory music practice with asylum seekers and refugees across contexts of conflict and refuge (2014)Where words fail, music speaks: the impact of participatory music on the mental health and wellbeing of asylum seekers (2015)‘Burnt out by all the exploitation’: Involuted labour in creative fields (2024)Development as Freedom (1999)Development as Freedom (1999)Desiring Sameness? The Rise of a Neoliberal Politics of Normalisation (2005)The Polanyian Way? Voluntary Food Labels as Neoliberal Governance (2007)Development as Freedom (2009)Neoliberalising Feminism (2014)The Strength of Weak Ties (1973)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Mapping the wax and wane of a ‘creative capital’: A personal reflection on 20 years of researching music making in Wellington, Aotearoa/New Zealand (2024)Increasing returns, monopolistic competition, and international trade (1979)Scale Economies, Product Differentiation, and the Pattern of Trade (1990)Gravity with Gravitas: A Solution to the Border Puzzle (2003)Verti-Zontal Differentiation in Monopolistic Competition (2011)What's Going on? Digitization and Global Music Trade Patterns Since 2006 (2014)Cultural Divergence in popular music: the increasing diversity of music consumption on Spotify across countries (2021)COPYRIGHT AND ARTISTS: A VIEW FROM CULTURAL ECONOMICS (2006)The economics of copyright law: a stocktake of the literature (2008)Economics of music publishing: copyright and the market (2016)Narrative configuration in qualitative analysis (1995)The teacher's soul and the terrors of performativity (2003)Autoethnography: An Overview (2010)Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet (2002)Research Note: Breaking into the Popular Record Industry (2009)Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians) (2022)
this work references cited by second hop

References

  • 2004The iron cage revisited institutional isomorphism and collective rationality in organizational fields25,866 cited
  • 1984The Postmodern Condition: A Report on Knowledge15,116 cited
  • 2005After Neoliberalism? Community Activism and Local Partnerships in Aotearoa New Zealand315 cited
  • 2001Partly for the Money: Rewards and Incentives to Artists59 cited
  • 1999Pop and the Nation-State: towards a theorisation48 cited
  • 2000Music industry research: Where now? Where next? Notes from Britain22 cited

Cited by

  • 2012Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals314 cited
  • 2010Pop Internationalism: Has A Half Century of World Music Trade Displaced Local Culture?18 cited
  • 2011Popular music as social policy: Hybrid-hierarchies and social inclusion through New Zealand’s pop renaissance12 cited
  • 2012The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance9 cited
  • 2012Local priorities, industry realities: the music quota as cultural exceptionalism6 cited
  • 2010Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand3 cited
  • 2018New Zealand Music in the Popular Imagination 1988-2010: Revisiting a Moment for ‘Our Music’.2 cited

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