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Characterization of bile acids and fatty acids from ox bile in oil paintings by gas chromatography?mass spectrometry*1
7 references·1 citing·27 second hop
Characterization of bile acids and fatty acids from ox bile in oil paintings by gas chromatography?mass spectrometry*1 (2003)Characterization of bile acids and fatty …An initial assessment of thermally assisted hydrolysis and methylation-gas chromatography/mass spectrometry for the identification of oils from dried paint films (2002)An initial assessment of ther…Identification of lipid binders in paintings by gas chromatography (2001)Identification of lipid binde…Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art (2001)Identification by GC-FID and …Analytical study of canvas painting collection from the Basilica de la Virgen de los Desamparados using SEM/EDX, FT-IR, GC and electrochemical techniques (2001)Analytical study of canvas pa…Study of binding media in works of art by gas chromatographic analysis of amino acids and fatty acids derivatized with ethyl chloroformate (1997)Study of binding media in wor…Acides amines et acides gras sur un même chromatogramme: un autre regard sur l'analyse des liants en peinture (1995)Acides amines et acides gras …The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Natural products such as adhesives in oil paintings (2016)Natural products such as adhe…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics (2011)Azo-pigments effect on UV degradation of contemporary art pictorial film: A FTIR-NMR combination study (2017)Conservation of paintings and the graphic arts (1972)Conservation and Restoration of Pictorial Art (1978)Animal glues in mixtures of natural binding media used in artistic and historic objects: identification by capillary zone electrophoresis (2005)Analysis of post-Byzantine icons from the Church of the Assumption in Cephalonia, Ionian Islands, Greece: A multi-method approach (2007)Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders (2008)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)THM-GCMS and FTIR for the study of binding media in Yellow Islands by Jackson Pollock and Break Point by Fiona Banner (2003)Study of the microbiodegradation of terpenoid resin-based varnishes from easel painting using pyrolysis–gas chromatography–mass spectrometry and gas chromatography–mass spectrometry (2006)Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products (2011)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Analytical study of proteinaceous binding media in works of art by gas chromatography using alkyl chloroformates as derivatising agents (2002)Identification of organic materials in icons of the Cretan School of iconography (2010)Noninvasive Analysis of Paintings by Mid‐infrared Hyperspectral Imaging (2013)Electroanalytical techniques in archaeological and art conservation (2017)Comprehensive study of an ancient Egyptian foot case cartonnage using Raman, ESEM-EDS, XRD and FTIR (2019)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Identification of diterpenes in canvas painting varnishes by gas chromatography–mass spectrometry with combined derivatisation (2003)Application of peptide mass mapping on proteins in historical mortars (2009)Towards proteomic analysis of milk proteins in historical building materials (2009)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2002An initial assessment of thermally assisted hydrolysis and methylation-gas chromatography/mass spectrometry for the identification of oils from dried paint films54 cited
  • 1997Study of binding media in works of art by gas chromatographic analysis of amino acids and fatty acids derivatized with ethyl chloroformate52 cited
  • 2001Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art52 cited
  • 2001Identification of lipid binders in paintings by gas chromatography48 cited
  • 2001Analytical study of canvas painting collection from the Basilica de la Virgen de los Desamparados using SEM/EDX, FT-IR, GC and electrochemical techniques38 cited
  • 1995Acides amines et acides gras sur un même chromatogramme: un autre regard sur l'analyse des liants en peinture32 cited

Cited by

  • 2016Natural products such as adhesives in oil paintings12 cited

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