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An Evaluation of Various Seating Plans Used in Choral Singing
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An Evaluation of Various Seating Plans Used in Choral Singing (1961)An Evaluation of Various Seating Plans Us…Effects of Three Common Choral Configurations on Acoustic and Perceptual Measures of a Soprano Section’s Sound (2020)Effects of Three Common Chora…A Survey of Secondary Instrumental Teachers’ Immediacy, Ensemble Setup, and Use of Classroom Space in Colorado and Indiana (2020)A Survey of Secondary Instrum…Select acoustic and perceptual measures of choral formation (2015)Select acoustic and perceptua…Confidence and the choral singer : the effects of choir configuration, collaboration and communication (2014)Confidence and the choral sin…Chorister placement: The criteria, procedures, and methods used in placing the chorister within the mixed choral ensemble (2003)Chorister placement: The crit…Choir Spacing and Formation: Choral Sound Preferences in Random, Synergistic, and Gender-Specific Chamber Choir Placements (2003)Choir Spacing and Formation: …The Effect of Singing Mode and Seating Arrangement on Choral Blend and Overall Choral Sound (2000)The Effect of Singing Mode an…Conducting Choral Music (1961)Musical Performance: Learning Theory and Pedagogy (1985)The attractive voice: What makes it so? (1993)Self-efficacy: Toward a unifying theory of behavioral change. (1977)Situated Learning: Legitimate Peripheral Participation. (1994)Self-Efficacy: The Exercise of Control (1999)Collaborative learning and choral confidence: the role of peer interactions in building confident amateur choirs (2020)The Role of the Body in Instrumental and Vocal Music Pedagogy: A Dynamical Systems Theory Perspective on the Music Teacher's Bodily Engagement in Teaching and Learning (2020)A Facet-Factorial Approach to Rating High School Choral Music Performance (1977)An Acoustical Study of Individual Voices in Choral Blend (1980)Competency-Based Music Education (1981)Choral Configuration: An Overview of Research and Implications for the Choral Music Educator (2018)The acoustic analysis of speech (1992)Choral Confidence: Some Effects of Choir Configuration, Cohesion and Collaboration (2014)Acoustical placement of voices in choral formations (1990)Spacing, Formation, and Choral Sound: Preferences and Perceptions of Auditors and Choristers (1999)Secondary School Choral Conductors’ Self-Reported Beliefs and Behaviors Related to Fundamental Choral Elements and Rehearsal Approaches (2013)Intragroup processes and teamwork within a successful chamber choir (2016)The relationships among teacher immediacy behaviors, student motivation, and learning (1990)Development of the nonverbal immediacy scale (NIS): Measures of self‐and other‐perceived nonverbal immediacy (2003)Effect size estimates: Current use, calculations, and interpretation. (2011)Students' Attitudes Toward Online Music Education During the COVID 19 Lockdown (2021)Directing the choral music program (2003)Seating arrangements that promote positive academic and behavioural outcomes: a review of empirical research (2008)
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  • 2003Choir Spacing and Formation: Choral Sound Preferences in Random, Synergistic, and Gender-Specific Chamber Choir Placements48 cited
  • 2000The Effect of Singing Mode and Seating Arrangement on Choral Blend and Overall Choral Sound42 cited
  • 2015Select acoustic and perceptual measures of choral formation15 cited
  • 2014Confidence and the choral singer : the effects of choir configuration, collaboration and communication7 cited
  • 2020A Survey of Secondary Instrumental Teachers’ Immediacy, Ensemble Setup, and Use of Classroom Space in Colorado and Indiana6 cited
  • 2020Effects of Three Common Choral Configurations on Acoustic and Perceptual Measures of a Soprano Section’s Sound3 cited
  • 2003Chorister placement: The criteria, procedures, and methods used in placing the chorister within the mixed choral ensemble2 cited

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