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Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba
16 references·0 citing·36 second hop
Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba (2014)Porno Para Ricardo: rock music and the ‘o…National Identity, Popular Culture and Everyday Life (2020)National Identity, Popular Cu…Timba: The Sound of the Cuban Crisis (2017)Timba: The Sound of the Cuban…Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana (2011)Buena Vista in the Club: Rap,…Buena Vista in the Club (2011)Buena Vista in the ClubI Did It My Way: Rock and the Logic of Covers (2010)I Did It My Way: Rock and the…Nations and Nationalism (2008)Nations and NationalismMusic and RevolutionCultural Change in Socialist Cuba (2006)Music and RevolutionCultural …Transformations in Cuban Nueva trova, 1965-95 (2003)Transformations in Cuban Nuev…Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba (2003)Fear of a Black Nation: Local…National Identity, Popular Culture and Everyday Life (2002)National Identity, Popular Cu…DEBORAH PACINI HERNANDEZ AND REEBEE GAROFALO: HIP HOP IN HAVANA RAP, RACE AND NATIONAL IDENTITY IN CONTEMPORARY CUBA (1999)DEBORAH PACINI HERNANDEZ AND …Race, National Discourse, and Politics in Cuba (1998)Race, National Discourse, and…Mapping the Beat: Popular Music and Contemporary Theory (1997)Mapping the Beat: Popular Mus…World Music, Politics and Social Change. (1990)World Music, Politics and Soc…Cuba: between reform and revolution (1989)Cuba: between reform and revo…Image-Music-Text (1977)Image-Music-TextReconstruction: America's unfinished revolution, 1863-1877 (1988)Reconstruction: America's Unfinished Revolution, 1863-1877 (1989)Our Rightful Share: The Afro-Cuban Struggle for Equality, 1886-1912 (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)5. The Practice of Everyday Life (2000)Flexible Citizenship: The Cultural Logics of Transnationality (2001)The New Afro-Cuban Cultural Movement and the Debate on Race in Contemporary Cuba (2008)Contesting Politics as Usual (2009)In quest of truth: the meaning of message making in Israeli rap (2015)Sincerity and Authenticity (1972)Performing rites: on the value of popular music (1997)‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’ (2014)Pat Boone’s last laugh: Cover versions and the performance of knowledge (2017)“Music Version” versus “Vocals-Only”: Islamic Pop Music, Aesthetics, and Ethics (2019)The Presentation of Self in Everyday Life. (1956)Automobility and National Identity (2004)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)Mundane mobilities, performances and spaces of tourism (2007)The Interpretation of Cultures (2017)The Network Paradigm in Organizational Research: A Review and Typology (2003)From Poverty to Perversity: Ideas, Markets, and Institutions over 200 Years of Welfare Debate (2005)The work of representation (2020)Havana as a 1940s-1950s Latin American Media Capital (2009)Tradicionalismo africano in Cuba: Women, Consecrated Batá , and the Polemics of “Re-Yorubization” in Cuban Ritual Music (2021)Utopia in a Package? Digital Media Piracy and the Politics of Entertainment in Cuba (2022)Economic Restructuring and Gender Subordination (1995)Taking Power (2005)Freedom's mirror: Cuba and Haiti in the age of revolution (2015)Henna and Hip Hop: The Politics of Cultural Production and the Work of Cultural Studies (2000)Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities (2001)Cultural economy: a critical review (2005)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)Everyday nationhood (2008)Ethnicity, Race, and Nationalism (2009)The Rise of the Nation-State across the World, 1816 to 2001 (2010)Racism and nationalism during and beyond the COVID-19 pandemic (2021)
this work references cited by second hop

References

  • 1977Image-Music-Text3,641 cited
  • 2002National Identity, Popular Culture and Everyday Life900 cited
  • 2020National Identity, Popular Culture and Everyday Life780 cited
  • 1989Cuba: between reform and revolution461 cited
  • 2008Nations and Nationalism214 cited
  • 2006Music and RevolutionCultural Change in Socialist Cuba213 cited
  • 1997Mapping the Beat: Popular Music and Contemporary Theory182 cited
  • 2003Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba144 cited
  • 1998Race, National Discourse, and Politics in Cuba116 cited
  • 2010I Did It My Way: Rock and the Logic of Covers88 cited
  • 1990World Music, Politics and Social Change.76 cited
  • 1999DEBORAH PACINI HERNANDEZ AND REEBEE GAROFALO: HIP HOP IN HAVANA RAP, RACE AND NATIONAL IDENTITY IN CONTEMPORARY CUBA68 cited
  • 2003Transformations in Cuban Nueva trova, 1965-9542 cited
  • 2011Buena Vista in the Club37 cited
  • 2017Timba: The Sound of the Cuban Crisis34 cited
  • 2011Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana

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