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Cited by

• 1999Raman microscopy: sensitive probe of pigments on manuscripts, paintings and other artefacts49 cited
• 2006On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles48 cited
• 1999Fourier transform Raman spectroscopic characterization of pigments in the mediaeval frescoes at Convento de la Peregrina, Sahagun, Léon, Spain. Part 1 — preliminary study48 cited
• 2001Raman microscopy in art history and conservation science48 cited
• 1998Fluorescence lidar monitoring of historic buildings47 cited
• 1997Identification of lead(ii) sulfide and pararealgar on a 13th century manuscript by Raman microscopy47 cited
• 2001Confocal Raman spectroscopic study of painted medieval manuscripts41 cited
• 2003Nondestructive analysis of ancient Egyptian funerary relics by Raman spectroscopic techniques40 cited
• 2004Application of confocal Raman spectroscopy to thin polymer layers on highly scattering substrates: a case study of synthetic adhesives on historic textiles38 cited
• 2014Pigment identification of an illuminated mediaeval manuscript De Civitate Dei by means of a portable Raman equipment37 cited
• 2009Spectroscopic investigation of modern pigments on purportedly medieval miniatures by the ‘Spanish Forger’35 cited
• 2010Spectroscopy study of mural paintings from the Pyrenean Church of Saint Eulàlia of Unha35 cited