“To all the former cats and stomps of the Navajo Nation:” Performance, the individual, and cultural poetic traditions

Abstract

This article is concerned with understanding and analyzing the role of the individual in Navajo poetry performances, in particular, three performances of putatively the same poem by the Navajo poet Laura Tohe. One performance is the written orthographic poem, and the other two are oral performances that have been recorded and analyzed. It is argued that a focus on the individual performer and on multiple performances can provide insight into the relationship between social constructions of self and identity within the constraints and opportunities particular media and contexts provide. It also reveals the importance of studying individual creativity in language and culture research.I would like to thank Andy Hofling, Barbara Johnstone, David Samuels, and Laura Tohe for comments on various versions of this article. Jonathan Hill, as usual, has been a sounding board for many of the ideas that finally found their way into this article. Thanks also to Jane Adams for some useful advice at a critical moment. I also want to thank Elizabeth Keating, Scott Rushforth, Joel Sherzer, Pauline Turner Strong, and Anthony Woodbury for comments on a much earlier draft. The research for this study was made possible by the Wenner-Gren Foundation and the University of Texas at Austin. I want to thank the Navajo Nation for granting me a permit to do research on the emergence of poetry on the Navajo Nation. Thanks also to Leighton Peterson for his help during fieldwork. I also want to thank all the Navajo poets who allowed me to record and interview them. I further want to thank the various people of the Navajo Nation who in one way or another aided in my research. Views expressed in this article are my responsibility, as are any mistakes that remain.

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