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Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"
3 references·16 citing·47 second hop
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this work references cited by second hop

References

  • 1970Poetics of Music in the Form of Six Lessons406 cited
  • 1957The Technique of My Musical Language161 cited
  • 1980Basic atonal theory160 cited

Cited by

  • 2003Virtuosity and the Musical Work136 cited
  • 2000The Quest for the Origins of Music in Germany Circa 1900132 cited
  • 2003Hugo Riemann and the Birth of Modern Musical Thought103 cited
  • 2011Catching Up with Rimsky-Korsakov99 cited
  • 2004Hugo Riemann and the birth of modern musical thought84 cited
  • 2006The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music52 cited
  • 2004Roots of the Classical47 cited
  • 1998Skryabin and the Impossible41 cited
  • 1987Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky40 cited
  • 1998Symmetrical Form and Common-Practice Tonality35 cited
  • 2003Virtuosity and the Musical Work: The Transcendental Studies of Liszt33 cited
  • 1988The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid30 cited
  • 2010Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993)

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28 cited
  • 1984Some Thoughts on the History and Historiography of Russian Music24 cited
  • 2003Passing—and Failing—in Late-Nineteenth-Century Russia; or Why We Should Care about the Cuts in Tchaikovsky's Violin Concerto22 cited
  • 2014Harmony and Voice Leading in the Music of Stravinsky22 cited