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The Italian Madrigal
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The Italian Madrigal (2019)The Italian MadrigalWomen and Music in Sixteenth-Century Ferrara (2018)Women and Music in Sixteenth-…A Sixteenth-Century Catalog of Prohibited Music (2009)A Sixteenth-Century Catalog o…Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli' (2008)Monteverdi, Marenzio, and Bat…Alessandro Striggio's Mass in Forty and Sixty Parts (2007)Alessandro Striggio's Mass in…Themes of Exile in Willaert's "Musica nova" (1994)Themes of Exile in Willaert's…Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist (1994)Here's Looking at Me: Sofonis…Before the Madrigal (1994)Before the MadrigalThe Academy of Domenico Venier, Music's Literary Muse in Mid-Cinquecento Venice (1991)The Academy of Domenico Venie…Elena Malvezzi's keyboard manuscript: a new sixteenth-century source (1990)Elena Malvezzi's keyboard man…Cosimo Bartoli on music (1988)Cosimo Bartoli on musicNotes on the Origin of the Parisian Chanson (1982)Notes on the Origin of the Pa…Madrigal, Monody, and Monteverdi's "Via Naturale Alla Immitatione" (1981)Madrigal, Monody, and Monteve…The Festive Madrigals of Alessandro Striggio (1980)The Festive Madrigals of Ales…The Publications of Guglielmo Gonzaga (1978)The Publications of Guglielmo…Music in the Myth of Venice (1977)Music in the Myth of Venice"La Courone et fleur des chansons a troys": A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano (1973)"La Courone et fleur des chan…A History of Western Music (1960)Music in the French Secular Theater, 1400-1550 (1963)The Chanson Albums of Marguerite of Austria (1965)Art-Song Reworkings: An Overview (1994)Who Was “Prioris”? A Royal Composer Recovered (2012)La théorie de la musique (2017)Paideia, the Ideals of Greek Culture (1947)Dizionario biografico degli italiani (1960)The Quattrocento Dialogue (1980)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Music Criticism in Norway (2019)Stop the Press? The Changing Media of Music Criticism (2019)Source Readings in Music History (1950)The New Grove Dictionary of Music and Musicians (1981)Women and Music (1992)The New Grove dictionary of music and musicians (2001)The performance of polyphony in early 16th-century Italian convents (2017)Women and the Circulation of Texts in Renaissance Italy (2020)LA GERUSALEMME LIBERATA (1798)Science and civic life in the Italian Renaissance (1981)Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype (1992)Le Origini del Melodramma (2008)Reimagine to Revitalise (2021)A Plaine and Easie Introduction to Practicall Musicke (1938)Music and Patronage in Sixteenth-Century Mantua (1982)Studien zur Musikwissenschaft (1989)William Mundy's 'Vox patris caelestis' and the Accession of Mary Tudor (2010)Renaissance Polyphony (2020)Architectural principles in the age of humanism (1949)Venice, A Maritime Republic (1973)Die Musik in Geschichte und Gegenwart (1989)Rore's "selva selvaggia": The "Primo libro" of 1542 (1989)Venice and the Defense of Republican Liberty (1968)The World of Aldus Manutius: Business and Scholarship in Renaissance Venice (1980)Venetian Humanism in an Age of Patrician Dominance (1986)DEFENDING WOMEN, NEGOTIATING MASCULINITY IN EARLY MODERN ITALY (2011)The Renaissance Notion of Woman (1980)Renaissance Self-Fashioning from More to Shakespeare (1981)Renaissance Self-Fashioning from More to Shakespeare (1982)Gendered Style in Italian Art Criticism from Michelangelo to Malvasia (1995)“Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico (2023)La educación en el ejercicio de las artes visuales en la familia de Carlos IV (2023)Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth-Century France (1989)From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe (1989)Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex (2017)A General History of Music, from the Earliest Ages to the Present Period (2018)Echoes of Ariadne in the Musical Reception of Ariosto and Tasso (2020)An Edition with Translation and Commentary (1990)
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Cited by

  • 2018Women and Music in Sixteenth-Century Ferrara57 cited
  • 1982Notes on the Origin of the Parisian Chanson56 cited
  • 1981Madrigal, Monody, and Monteverdi's "Via Naturale Alla Immitatione"51 cited
  • 1977Music in the Myth of Venice45 cited
  • 1988Cosimo Bartoli on music42 cited
  • 1991The Academy of Domenico Venier, Music's Literary Muse in Mid-Cinquecento Venice36 cited
  • 2007Alessandro Striggio's Mass in Forty and Sixty Parts34 cited
  • 1990Elena Malvezzi's keyboard manuscript: a new sixteenth-century source29 cited
  • 1980The Festive Madrigals of Alessandro Striggio27 cited
  • 1994Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist26 cited
  • 2009A Sixteenth-Century Catalog of Prohibited Music26 cited
  • 1973"La Courone et fleur des chansons a troys": A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano22 cited
  • 1994Themes of Exile in Willaert's "Musica nova"22 cited
  • 2008Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli'20 cited
  • 1978The Publications of Guglielmo Gonzaga

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19 cited
  • 1994Before the Madrigal17 cited