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Hidden Disunities and Uncanny Resemblances: Connections and Disconnections in the Music of Lera Auerbach and Michael Nyman
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this work references cited by second hop

References

  • 1982The Dialogic Imagination: Four Essays7,540 cited
  • 1981Desire in Language: A Semiotic Approach to Literature and Art3,062 cited
  • 2000Intertextuality833 cited
  • 1990Studying Popular Music606 cited
  • 1991Studying Popular Music550 cited
  • 1992A Derrida Reader between the Blinds344 cited
  • 2001Musical MeaningToward a Critical History281 cited
  • 1991Music as Cultural Practice, 1800-1900230 cited
  • 2004Quotation and cultural meaning in twentieth-century music172 cited
  • 2004Amending the Abject Body: Aesthetic Makeovers in Medicine and Culture124 cited
  • 2009Hallelujah junction: composing an American life94 cited
  • 1997Progressive Rock, “Close to the Edge,” and the Boundaries of Style52 cited
  • 1986Cruising around the Historical Bloc: Postmodernism and Popular Music in East Los Angeles41 cited
  • 1987Playing on Words: A Guide to Luciano Berio's Sinfonia39 cited
  • 2006The music of Mauricio Kagel14 cited

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