SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Problem of the Retrieval of Musical Knowledge
15 references·0 citing·30 second hop
The Problem of the Retrieval of Musical Knowledge (2013)The Problem of the Retrieval of Musical K…The Règle de l’Octave in Thorough-Bass Theory and Practice (2017)The Règle de l’Octave in Thor…Course in General Linguistics (2013)Course in General LinguisticsStructuralism and Semiotics (2002)Structuralism and SemioticsHow the Mind Works (1999)How the Mind WorksDer Generalbass in der Komposition (1994)Der Generalbass in der Kompos…Compositional Theory in the Eighteenth Century (1994)Compositional Theory in the E…Compositional theory in the eighteenth century (1993)Compositional theory in the e…The "Règle de l'Octave" in Thorough-Bass Theory and Practice (1992)The "Règle de l'Octave" in Th…Structuralism and Semiotics (1977)Structuralism and SemioticsTreatise on Harmony (1973)Treatise on HarmonyThorough-Bass Accompaniment According to Johann David Heinichen (1967)Thorough-Bass Accompaniment A…The Practical Harmonist at the Harpsichord (1708) (1964)The Practical Harmonist at th…Chord and Context in 18th-Century Theory (1963)Chord and Context in 18th-Cen…Course in General Linguistics (1961)Course in General LinguisticsEssay on the True Art of Playing Keyboard Instruments (1949)Essay on the True Art of Play…Chromatic Transformations in Nineteenth-Century Music (2002)Music theory and mathematics (2002)Nineteenth-century harmonic theory: the Austro-German legacy (2002)Social Theory of International Politics (1999)The Semiotics of Theatre and Drama (2003)Methodology of the Oppressed (2010)Epistemologies of music theory (2002)Hugo Riemann and the birth of modern musical thought (2004)Affective Resonance: On the Uses and Abuses of Music In and For Philosophy (2012)Norm theory: Comparing reality to its alternatives. (1986)Handbook of Emotions (1993)Core affect and the psychological construction of emotion. (2003)Texture as a Sign in Classic and Early Romantic Music (1982)Cadential processes: The evaded cadence and the “one more time” technique (1992)“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003)Quality versus Relevance: Feminism, Race, and the Politics of the Sign in 1970s Television (2000)Conceptualizing and Confronting Inequity: Approaches Within and New Directions for the “NNEST Movement” (2015)Language and Materiality in the Renaming of Indigenous North American Languages and Peoples (2017)when talk isn't cheap: language and political economy (1989)Cultural Constraints on Grammar and Cognition in Pirahã (2005)Exploiting affinities between topic modeling and the sociological perspective on culture: Application to newspaper coverage of U.S. government arts funding (2013)Tonal organization in seventeenth-century music theory (2002)Heinichen, Rameau, and the Italian Thoroughbass Tradition (2007)Gjerdingen’s Schemata Reexamined (2018)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Vocal performance in the seventeenth century (2012)Music, Modernity, and God (2013)Measuring Meaning Structures (1998)Collaborative policymaking: governance through dialogue (2003)Deliberative Policy Analysis (2003)
this work references cited by second hop

References

  • 1999How the Mind Works3,738 cited
  • 2013Course in General Linguistics2,695 cited
  • 1977Structuralism and Semiotics628 cited
  • 2002Structuralism and Semiotics533 cited
  • 1949Essay on the True Art of Playing Keyboard Instruments211 cited
  • 1993Compositional theory in the eighteenth century158 cited
  • 1961Course in General Linguistics117 cited
  • 1973Treatise on Harmony104 cited
  • 1994Compositional Theory in the Eighteenth Century88 cited
  • 1992The "Règle de l'Octave" in Thorough-Bass Theory and Practice75 cited
  • 2017The Règle de l’Octave in Thorough-Bass Theory and Practice40 cited
  • 1967Thorough-Bass Accompaniment According to Johann David Heinichen19 cited
  • 1994Der Generalbass in der Komposition11 cited
  • 1963Chord and Context in 18th-Century Theory6 cited
  • 1964The Practical Harmonist at the Harpsichord (1708)5 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work