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The Quiet Revolution of a B Natural: Prokofiev's ‘New Simplicity’ in the Second Violin Concerto
16 references·4 citing·21 second hop
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1994Musical meaning in Beethoven: markedness, correlation, and interpretation350 cited
  • 1996Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation219 cited
  • 1990Remaking the Past187 cited
  • 1990Remaking the past: musical modernism and the influence of the tonal tradition186 cited
  • 1997The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition162 cited
  • 1996Neoclassic and Anachronistic Impulses in Twentieth-Century Music107 cited
  • 2009The people's artist: Prokofiev's Soviet years55 cited
  • 2004The Modern Novel54 cited
  • 2004Beyond the Beethoven Model: Sentence Types and Limits52 cited
  • 1998Socialist realist painting47 cited
  • 2004The Modern Novel: A Short Introduction47 cited
  • 2004A Theory of Motives for Prokofiev's Music

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27 cited

Cited by

  • 2014Let’s Talk Music: A Corpus-Based Account of Musical Motion75 cited
  • 2020Between the Signposts: Thematic Interpolation and Structural Defamiliarization in Prokofiev’s Sonata Process3 cited
  • 2018An Octatonic History of Prokofiev’s Compositional Oeuvre3 cited
  • 2018Visualizing Peter: The First Animated Adaptations of Prokofiev’s Peter and the Wolf3 cited