SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Theorizing film realism empirically
16 references·0 citing·29 second hop
Theorizing film realism empirically (2009)Theorizing film realism empiricallyLanguage and Social Relations (2009)Language and Social RelationsThe Classical Hollywood Cinema (2003)The Classical Hollywood CinemaDeath Every Afternoon (2003)Death Every AfternoonSatellites over South Asia: broadcasting, culture and the public interest (2002)Satellites over South Asia: b…Realism and popular cinema (2000)Realism and popular cinemaTrue Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…Cinema and the Urban Poor in South India (1993)Cinema and the Urban Poor in …Making Meaning (1989)Making MeaningAfterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s Duel in the Sun (1946) (1989)Afterthoughts on ‘Visual Plea…Mystifying Movies (1988)Mystifying MoviesTransparent Pictures: On the Nature of Photographic Realism (1984)Transparent Pictures: On the …Film and the Masquerade: Theorising the Female Spectator (1982)Film and the Masquerade: Theo…A Lecture on Realism (1977)A Lecture on RealismVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Ideological Effects of the Basic Cinematographic Apparatus (1974)Ideological Effects of the Ba…What is cinema (1967)What is cinemaFeminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)TOP GIRLS? (2007)Notes on the Perfect (2015)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Moving image theory: ecological considerations (2005)New Vocabularies in Film Semiotics (2005)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Learning across the life cycle: Experimentation and performance among the hollywood studio heads (2001)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Seeing, Doing, and Knowing (2005)Getting Told and Being Believed (2006)The Epistemic Threat of Deepfakes (2020)Learning identity: the joint emergence of social identification and academic learning (2007)Chronotopes, Scales, and Complexity in the Study of Language in Society (2015)Signs of Difference (2019)Intellectualization and Art World Development: Film in the United States (2001)Addiction, stigma and movies (2003)Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen's Richard III (2008)False intimacy: close-ups and viewer involvement in wildlife films1 (2003)Recycled Culture in Contemporary Art and Film (2003)The diaspora comes home: Disciplining desire in DDLJ (1998)Permeable Homes: Domestic Service, Household Space, and the Vulnerability of Class Boundaries in Urban India (2000)The last 20 years of visual anthropology – a critical review (2005)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2009Language and Social Relations783 cited
  • 2003The Classical Hollywood Cinema728 cited
  • 1982Film and the Masquerade: Theorising the Female Spectator643 cited
  • 1974Ideological Effects of the Basic Cinematographic Apparatus607 cited
  • 1967What is cinema602 cited
  • 1989Making Meaning511 cited
  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 1988Mystifying Movies197 cited
  • 1993Cinema and the Urban Poor in South India157 cited
  • 1989Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s Duel in the Sun (1946)152 cited
  • 1977A Lecture on Realism133 cited
  • 2000Realism and popular cinema133 cited
  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory129 cited
  • 2002Satellites over South Asia: broadcasting, culture and the public interest129 cited
  • 2003Death Every Afternoon126 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work