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A Rhythmic Study of the Exposition in the Second Movement of Beethoven's Quartet Op. 59, No. 1
1 references·2 citing·10 second hop
A Rhythmic Study of the Exposition in the Second Movement of Beethoven's Quartet Op. 59, No. 1 (1985)A Rhythmic Study of the Exposition in the…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression (2020)End-Accented Sentences: Towar…Schenkerian Theory (1989)Schenkerian TheoryClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)The Thematic Process in Music (1951)Explaining Music (1973)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)A Generative Theory of Tonal Music (1996)Cadential processes: The evaded cadence and the “one more time” technique (1992)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)
this work references cited by second hop

References

  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited

Cited by

  • 1989Schenkerian Theory7 cited
  • 2020End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression5 cited

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