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The Palimpsest Body and the S(h)ifting Border: On Maggie Cheung's Two Crossover Films
14 references·0 citing·29 second hop
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this work references cited by second hop

References

  • 1994The Translator's Invisibility: A History of Translation2,459 cited
  • 2013Nation and Narration2,092 cited
  • 1992The Post-Colonial Critic : Interviews, Strategies, Dialogues913 cited
  • 1997Hong Kong: culture and politics of disappearance792 cited
  • 1997Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema636 cited
  • 1986Femmes Fatales: Feminism, Film Theory, Psychoanalysis337 cited
  • 1978Historical Fiction: A Body Too Much172 cited
  • 2017Transnational Chinese Cinemas137 cited
  • 1993Women and Film: A Sight and Sound Reader121 cited
  • 1999French Cinema in the 1990s: Continuity and Difference107 cited
  • 2001"Lapsus Imaginis": The Image in Ruins76 cited
  • 1996Picturing Japaneseness: Monumental Style, National Identity, Japanese Film52 cited
  • 1995Colonialism and Nationalism in Asian Cinema. Edited by Wimal Dissanayake. Bloomington: Indiana University Press, 1994. xxix, 234 pp. Notes, Index.25 cited
  • 2004Stars : the film reader13 cited

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