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Medea and British Legislation Before The First World War
16 references·2 citing·29 second hop
Medea and British Legislation Before The First World War (1999)Medea and British Legislation Before The …A literature of their own: British women novelists from Bronte to Lessing (1999)A literature of their own: Br…The Cambridge Companion to Greek Tragedy (1997)The Cambridge Companion to Gr…Shelley and Greece (1997)Shelley and GreeceNew-born child murder: women, illegitimacy and the courts in eighteenth-century England (1997)New-born child murder: women,…Medea (1997)MedeaMixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1994)Mixed Feelings: Feminism, Mas…Mixed Feelings (1992)Mixed FeelingsThe spectacle of women: imagery of the suffrage campaign, 1907-14 (1989)The spectacle of women: image…Ancient Scripts and Modern Experience on the English Stage, 1500-1700 (1988)Ancient Scripts and Modern Ex…Reviews (1987)ReviewsFamily Fortunes: Men and Women of the English Middle Class 1780-1850 (1987)Family Fortunes: Men and Wome…Granville Barker and the Dream of Theatre (1986)Granville Barker and the Drea…The Victorians and Ancient Greece (1981)The Victorians and Ancient Gr…Innocent Flowers: Women in the Edwardian Theatre (1981)Innocent Flowers: Women in th…The Victorians and ancient Greece (1980)The Victorians and ancient Gr…University Drama in the Tudor Age. (1915)University Drama in the Tudor…Dionysus: The Victorian Outcast (2008)Dionysus: The Victorian Outca…Child-Murder Narratives in George Eliot's Adam Bede: Embedded Histories and Fictional Representation (2001)Child-Murder Narratives in Ge…Family Feuds: Gender, Nationalism and the Family (1993)Identity Construction: New Issues, New Directions (1997)Why Can’t a Family Business Be More Like a Nonfamily Business? (2011)Music and the Muses (2004)The Politics of the New Music (2004)Stage Fright, Animals, and Other Theatrical Problems (2006)The return of Ulysses: a cultural history of Homer's Odyssey (2009)Melodrama (2012)Sexualities in Victorian Britain (2023)The Resurgence of the Critical Theories of Public Sphere (1996)Women, consumption and coverture in England,c. 1760–1860 (1996)A Semiotics of the Public/Private Distinction (2002)Latinitas (1999)London texts and literate practice (1999)The Middle English Mystics (1999)Pornography, Men Possessing Women (1982)Literary Criticism and Consumer Research: Overview and Illustrative Analysis (1989)Romanticism and the Rise of the Mass Public (2007)The politics of Spartan pederasty (1981)Epic and Empire in Nineteenth-Century Britain (2006)Inventing citizens during World War I: Suffrage cartoons inthe woman citizen (2000)The woman suffrage parades of 1910–1913: Possibilities and limitations of an early feminist rhetorical strategy (2002)IDENTITY FOR SALE: (2008)Affecting feminism: Questions of feeling in feminist theory (2012)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)The times we’re in: Queer feminist criticism and the reparative ‘turn’ (2014)Reporting murder: Fiction in the archives in early modern England∗ (1998)Witnesses of the body: medico-legal cases in seventeenth-century Rome (2002)Reproduction (2018)
this work references cited by second hop

References

  • 1987Family Fortunes: Men and Women of the English Middle Class 1780-18501,504 cited
  • 1987Reviews500 cited
  • 1997The Cambridge Companion to Greek Tragedy486 cited
  • 1981The Victorians and Ancient Greece414 cited
  • 1999A literature of their own: British women novelists from Bronte to Lessing374 cited
  • 1992Mixed Feelings312 cited
  • 1997New-born child murder: women, illegitimacy and the courts in eighteenth-century England229 cited
  • 1989The spectacle of women: imagery of the suffrage campaign, 1907-14225 cited
  • 1980The Victorians and ancient Greece222 cited
  • 1915University Drama in the Tudor Age.184 cited
  • 1994Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism166 cited
  • 1997Medea155 cited
  • 1986Granville Barker and the Dream of Theatre122 cited
  • 1997Shelley and Greece111 cited
  • 1981Innocent Flowers: Women in the Edwardian Theatre110 cited
  • 1988Ancient Scripts and Modern Experience on the English Stage, 1500-170085 cited

Cited by

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  • 2001Child-Murder Narratives in George Eliot's Adam Bede: Embedded Histories and Fictional Representation30 cited
  • 2008Dionysus: The Victorian Outcast14 cited