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The extreme metal ‘connoisseur’
7 references·4 citing·37 second hop
The extreme metal ‘connoisseur’ (2012)The extreme metal ‘connoisseur’Alienation Incorporated: ‘F*** the Mainstream Music’ in the Mainstream (2005)Alienation Incorporated: ‘F**…The ‘Failure’ of Youth Culture (2004)The ‘Failure’ of Youth CultureCULT FICTIONS: CULT MOVIES, SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS (2002)CULT FICTIONS: CULT MOVIES, S…Beatlemania: Girls Just Want to Have Fun (2002)Beatlemania: Girls Just Want …‘I'll Be Here With You': Fans, Fantasy and the Figure of Elvis (2002)‘I'll Be Here With You': Fans…‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson (2000)‘I'd sell you suicide’: pop m…Sport and social class (1978)Sport and social classΚλέα ἀνδρῶν (2020)Κλέα ἀνδρῶνFrom Hero to Superhero (2020)From Hero to SuperheroExtreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore (2014)Extreme Conditions Demand Ext…From War Pigs to Unsung Heroes: The Criticism and Justification of War in Metal Lyrics (2013)From War Pigs to Unsung Heroe…Textual poachers : television fans & participatory culture (1992)Club cultures: music, media and subcultural capital (1996)Block Buster Art House: Meets Superhero Comic, or Meets Graphic Novel?: The Contradictory Relationship between Film and Comic Art (2006)A Psychological Exploration of Engagement in Geek Culture (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Parenting for a Digital Future (2020)Identity : Youth and Crisis. 1968 (1968)Identity—Youth and Crisis (1969)Globalization: The Human Consequences (1998)The Role of Background Characteristics, Music-Listening Motives, and Music Selection on Music Discussion (2013)A Deviant Art: Tattoo‐Related Stigma in an Era of Commodification (2014)Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories (2015)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)The consequences of modernity (1990)Self‐empowerment and consumption (2006)Eschewing Community: Black Metal (2014)Norwegian black metal, transgression and sonic abjection (2019)Noise, the Political Economy of Music (1989)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Heavy Metal and Hip-Hop Style Preferences and Externalizing Problem Behavior (2007)Soundtrack of the School Shootings (2011)Extreme music for extreme people? Norwegian black metal and transcendent violence (2012)Gender and power (1987)BARGAINING WITH PATRIARCHY (1988)Qualitative Interviewing: The Art of Hearing Data (1996)A general introduction to psychoanalysis. (1920)THE SYMBOLIC CONSTRUCTION OF COMMUNITY (1985)Half-Real: Video Games between Real Rules and Fictional Worlds (2005)Educating the Body: Physical Capital and the Production of Social Inequalities (1991)Theorising class, health and lifestyles: can Bourdieu help us? (1995)Sport and Development (2011)Fanship and the Television Sports Viewing Experience (1995)Celebrity fan involvement and destination perceptions (2008)Cultural capital today (2008)The Antecedents of Music Piracy Attitudes and Intentions (2005)Can Robots Manifest Personality?: An Empirical Test of Personality Recognition, Social Responses, and Social Presence in Human–Robot Interaction (2006)
this work references cited by second hop

References

  • 1978Sport and social class903 cited
  • 2002‘I'll Be Here With You': Fans, Fantasy and the Figure of Elvis546 cited
  • 2002Beatlemania: Girls Just Want to Have Fun501 cited
  • 2002CULT FICTIONS: CULT MOVIES, SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS183 cited
  • 2004The ‘Failure’ of Youth Culture103 cited
  • 2000‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson87 cited
  • 2005Alienation Incorporated: ‘F*** the Mainstream Music’ in the Mainstream41 cited

Cited by

  • 2020Κλέα ἀνδρῶν13 cited
  • 2020From Hero to Superhero6 cited
  • 2014Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore4 cited
  • 2013From War Pigs to Unsung Heroes: The Criticism and Justification of War in Metal Lyrics3 cited

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