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The Screen Test of the Double: The Uncanny Performer in the Space of Technology
7 references·12 citing·37 second hop
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References

  • 1953The Standard Edition of the Complete Psychological Works of Sigmund Freud17,730 cited
  • 2018The Four Fundamental Concepts of Psycho-Analysis3,917 cited
  • 1964Phenomenology of Perception.3,160 cited
  • 2001Écrits: A Selection2,100 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1997Post-Theory. Reconstructing Film Studies516 cited
  • 1991The Telephone Book: Technology-Schizophrenia-Electric Speech147 cited

Cited by

  • 2020Making it Personal91 cited
  • 2004The aesthetic of the unfinished: ethics and performance36 cited
  • 2007Theatre Squared: Theatre History in the Age of Media34 cited
  • 2016Lucille Meets GuitarBot: Instrumentality, Agency, and Technology in Musical Performance24 cited
  • 2005Remembering Praxis: Performance in the Digital Age19 cited
  • 2020Shakespeare, Technicity, Theatre12 cited
  • 2015A Distributed Theatre Experiment with Shakespeare10 cited
  • 2018Gaming the Stage9 cited
  • 2016Co-present and remote audience experiences: intensity and cohesion

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7 cited
  • 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited
  • 2003Video and Stage Space: Some European Perspectives6 cited
  • 2025A study on the uncanny in digital fashion1 cited