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Analysis of the Museum Lighting Environment
2 references·3 citing·15 second hop
Analysis of the Museum Lighting Environment (1997)Analysis of the Museum Lighting Environme…Preferred lighting conditions for the display of oil and watercolour paintings (1982)Preferred lighting conditions…Control of deteriorating effects of light upon museum objects* (1964)Control of deteriorating effe…User Lighting Preferences Based on Navigation and Space Quality in Virtual Exhibition Environments (2020)User Lighting Preferences Bas…Perceptions of Light–Space Compositions: Is Light like Language? (2009)Perceptions of Light–Space Co…Aesthetic Composition and the Language of Light, a Subject of Academic Inquiry (2004)Aesthetic Composition and the…The Logical Structure of Linguistic Theory (1975)The architecture of language (2000)The Potential Role of the Physical Environment in Fostering Creativity (2002)Interior design illustrated (1987)The Interior Dimension: A Theoretical Approach to Enclosed Space (1991)Interior Lighting for Designers (2015)The museum environment (1978)Museum lighting: its past and future development (2007)How is museum lighting selected? An insight into current practice in UK museums (2017)Psychological Processes Influencing Lighting Quality (2001)Lighting the world's treasures: Approaches to safer museum lighting (2010)The impact of illuminance and colour temperature on viewing fine art paintings under LED lighting (2014)A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)
this work references cited by second hop

References

  • 1982Preferred lighting conditions for the display of oil and watercolour paintings46 cited
  • 1964Control of deteriorating effects of light upon museum objects*38 cited

Cited by

  • 2004Aesthetic Composition and the Language of Light, a Subject of Academic Inquiry5 cited
  • 2009Perceptions of Light–Space Compositions: Is Light like Language?2 cited
  • 2020User Lighting Preferences Based on Navigation and Space Quality in Virtual Exhibition Environments2 cited

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