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PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING
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  • 2007Prescriptive notation: Limits and challenges103 cited
  • 2004Action, Criticism and Theory for Music Education101 cited
  • 1959Folk Song Style78 cited
  • 1987Musical sound and Contextual Input: A Performance Model for Musical Analysis64 cited
  • 2021Sound Relations57 cited
  • 2000The Andean anacrusis? Rhythmic structure and perception in Easter songs of Northern Potosí, Bolivia56 cited
  • 1977The "Objective" and Subjective View in Music Transcription42 cited
  • 1998Play It "Con Filin!": The Swing and Expression of Salsa27 cited
  • 2017Peculiar Animations: Listening to Afro-Atlantic Music in Caribbean Travel Narratives27 cited
  • 2019Language, the Singer and the Song26 cited
  • 2020Considering Equity in Applying Western Standard Music Notation from a Social Justice Standpoint: Against the Notation Argument21 cited
  • 2017Tactile Paths: on and through Notation for Improvisers21 cited
  • 2010Rethinking the Orality-Literacy Paradigm in Musicology20 cited
  • 2014Forum on Transcription18 cited
  • 2024Music, Encounter, Togetherness17 cited

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  • 2022Introduction14 cited