The Paradigmatic Shift in the Critical Reception of Terrence Malick'sBadlandsand the Emergence of a Heideggerian Cinema

Abstract

When Badlands (1974), Terrence Malick's directorial debut, was theatrically released, there was a significant trend in the critical reception that contextualized the film within popular American ge...

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 6 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.