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The Paradigmatic Shift in the Critical Reception of Terrence Malick'sBadlandsand the Emergence of a Heideggerian Cinema
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this work references cited by second hop

References

  • 1992The Address of the Eye1,199 cited
  • 2003Loss: The Politics of Mourning1,024 cited
  • 1974The World Viewed: Reflections on the Ontology of Film.483 cited
  • 2021The Elimination of Metaphysics Through Logical Analysis of Language467 cited
  • 1985Film history: Theory and practice446 cited
  • 1988Film theory: an introduction391 cited
  • 1992A cinema without walls: movies and culture after Vietnam267 cited
  • 2001Continental Philosophy224 cited
  • 2001Continental Philosophy: A Very Short Introduction119 cited
  • 2002New Hollywood Cinema115 cited
  • 2024Film Theory an Introduction106 cited
  • 2002New Hollywood Cinema: An Introduction93 cited
  • 1959Wisdom of the West89 cited
  • 1992Film and phenomenology: toward a realist theory of cinematic representation83 cited
  • 2002Contemporary Philosophy in the United States61 cited
  • 1969The essence of reasons54 cited

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