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Identification by Raman microscopy of pigments on early postage stamps: distinction between original 1847 and 1858–1862, forged and reproduction postage stamps of Mauritius
4 references·16 citing·36 second hop
Identification by Raman microscopy of pigments on early postage stamps: distinction between original 1847 and 1858–1862, forged and reproduction postage stamps of Mauritius (2004)Identification by Raman microscopy of pig…An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century (2002)An extensive non‐destructive …Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada (2019)Evidence of early amorphous a…Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts (2018)Comparing the effectiveness o…Spectral characterization of postage stamp printing inks by means of Raman spectroscopy (2015)Spectral characterization of …Non‐destructive identification of pigments printed on six Imperial China Engraved Coiling Dragon stamps (2015)Non‐destructive identificatio…Study of modern artistic materials using combined spectroscopic and chromatographic techniques. 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this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited

Cited by

  • 2006On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles48 cited
  • 2007Vibrational spectroscopy at the service of industrial archaeology: Nineteenth-century wallpaper46 cited
  • 2007The scientific investigation of artwork and archaeological artefacts: Raman microscopy as a structural, analytical and forensic tool43 cited
  • 2009Spectroscopic investigation of modern pigments on purportedly medieval miniatures by the ‘Spanish Forger’35 cited
  • 2008X‐ray fluorescence—analysis of 19th century stamps26 cited
  • 2013Spectral Database for Postage Stamps by Means of FT-IR Spectroscopy25 cited
  • 2014Study of modern artistic materials using combined spectroscopic and chromatographic techniques. Case study: painting with the signature “Picasso”24 cited
  • 2018Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts24 cited

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  • 2008Scientific examination of classic Spanish stamps with colour error, a non-invasive micro-Raman and micro-XRF approach: The King Alfonso XIII (1889–1901 “Pelón”) 15 cents definitive issue24 cited
  • 2019Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada23 cited
  • 2015Spectral characterization of postage stamp printing inks by means of Raman spectroscopy22 cited
  • 2012Micro‐spectroscopic Raman investigation on the canvas oil painting ‘Rebecca at the well’ of Neapolitan anonymous18 cited
  • 2015Non‐destructive identification of pigments printed on six Imperial China Engraved Coiling Dragon stamps16 cited
  • 2007Analysis of ancient and medieval specimens using nondestructive spectroscopic techniques15 cited
  • 2008Non-destructive and non-invasive analyses shed light on the realization technique of ancient polychrome prints15 cited
  • 2009Analysis of Iranian postage stamps belonging to the Qajar dynasty (18th–20th century's) by micro‐PIXE13 cited