SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
American music in the twentieth century
0 references·16 citing·51 second hop
American music in the twentieth century (1998)American music in the twentieth centuryTurn On, Tune In, Drift Off (2022)Turn On, Tune In, Drift OffExperimental Music in Black and White: The AACM in New York, 1970-1985 (2020)Experimental Music in Black a…Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)Composing Freedom: Elliott Ca…"No Restrictions in Any Way on Style": The Ford Foundation’s Composers in Public Schools Program, 1959-1969 (2015)"No Restrictions in Any Way o…The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age (2014)The Spectral Piano: From Lisz…Key Components of Musical Discourse Analysis (2013)Key Components of Musical Dis…‘The Breathing of Sound Itself’: Notation and Temporality in Feldman's Music to 1970 (2013)‘The Breathing of Sound Itsel…Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano (2012)Maintaining Disorder: Some Te…Frontier figures: American music and the mythology of the American West (2012)Frontier figures: American mu…A Revisionist History of Twelve-Tone Serialism in American Music (2008)A Revisionist History of Twel…"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61 (2008)"Experimentalists and Indepen…Resisting the airport: Bang on a can performs Brian Eno (2007)Resisting the airport: Bang o…Where Did Porgy and Bess Come From? (2006)Where Did Porgy and Bess Come…Expanding frames of reference: Teaching the history of electro-acoustic music (2006)Expanding frames of reference…Music of a century: museum culture and the politics of subsidy (2004)Music of a century: museum cu…(Post-)minimalisms 1970–2000: the search for a new mainstream (2004)(Post-)minimalisms 1970–2000:…Circumscribing the Open Universe (1981)Soundpieces: Interviews with American Composers (1982)Give My Regards to Eighth Street: Collected Writings of Morton Feldman (2004)MUSICAL FRAGILITY: A PHENOMENOLOGICAL EXAMINATION (2017)Open Access Musicology (2020)The Postmodern Condition: A Report on Knowledge (1984)Postmodernism, or, The cultural logic of late capitalism (1991)The Work of Art in the Age of Mechanical Reproduction (2007)Transcription, Recording, and Authority in ‘Classic’ Minimalism (2017)A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)Analysing Discourse (2003)Analysing Discourse: Textual Analysis for Social Research (2003)3. English as a Global Language (2016)Language practices and language ideologies in the popular music TV show The Voice Russia (2016)Assessing hip-hop discourse: Linguistic realness and styling (2019)‘Voicing Protest’: Performing Cross-Cultural Revolt in Gambino's ‘This is America’ and Falz's ‘This is Nigeria’ (2020)Twentieth Century Music: An Introduction (1967)Soundings : music in the twentieth century (1988)The Oxford History of Western Music: Volume 5: Music in the Late Twentieth Century (2009)Ask the Experts (2020)Style and Idea: Selected Writings of Arnold Schoenberg (1975)Style and Idea. Selected Writings of Arnold Schoenberg (1976)The rest is noise: listening to the twentieth century (2008)Music of the Americas and Historical Narratives (2009)The Apostasy Of George Rochberg (2010)Performance Art: From Futurism to the Present (1988)Noise, the Political Economy of Music (1989)No Respect: Intellectuals and Popular Culture (1990)Improvisation and Pedagogy: Background and Focus of Inquiry (2007)“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers (2008)The Jazz Image (2010)Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture (1968)Experimental Music: Cage and Beyond (1975)Experimental music: Cage and beyond (2002)Baroque Music in Post-War Cinema: Performance Practice and Musical Style (2021)The Names of Minimalism (2022)"It's Your Misfortune and None of My Own": A New History of the American West (1992)Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1993)The American Stravinsky: the style and aesthetics of Copland's new American music, the early works, 1921-1938 (2012)Carlos Chávez’s Polysemic Style: (2015)The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat (2016)Indians in Unexpected Places (2017)An introduction to cybernetics (1956)Understanding Media: The Extensions of Man (1964)Modernity and self-identity: self and society in the late modern age (1992)The Senses Considered as Perceptual Systems (1969)The Principles of Psychology. (1983)Nietzsche and Philosophy (1984)Performing Knowledge (2020)Olivier Messiaen (2022)Music, Encounter, Togetherness (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2013Key Components of Musical Discourse Analysis55 cited
  • 2014The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age46 cited
  • 2008A Revisionist History of Twelve-Tone Serialism in American Music36 cited
  • 2004(Post-)minimalisms 1970–2000: the search for a new mainstream31 cited
  • 2012Frontier figures: American music and the mythology of the American West31 cited
  • 2020Experimental Music in Black and White: The AACM in New York, 1970-198528 cited
  • 2013‘The Breathing of Sound Itself’: Notation and Temporality in Feldman's Music to 197018 cited
  • 2015"No Restrictions in Any Way on Style": The Ford Foundation’s Composers in Public Schools Program, 1959-196914 cited
  • 2007Resisting the airport: Bang on a can performs Brian Eno13 cited
  • 2022Turn On, Tune In, Drift Off11 cited
  • 2008"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-6111 cited
  • 2006Where Did Porgy and Bess Come From?11 cited
  • 2019Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War10 cited
  • 2004Music of a century: museum culture and the politics of subsidy8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2006Expanding frames of reference: Teaching the history of electro-acoustic music3 cited
  • 2012Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti'sÉtudesfor Piano3 cited