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From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China
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Cited by

  • 2003Figuring Modernity: The New Woman and the Modern Girl in Republican China92 cited
  • 2014Mo Yan in Context : Nobel Laureate and Global Storyteller47 cited
  • 2020Disability in Contemporary China43 cited
  • 1996Gender, Race, and Semicolonialism: Liu Na'ou's Urban Shanghai Landscape38 cited
  • 2007The Independent Cinema of Jia Zhangke27 cited
  • 2000Dr. Fu Manchu in Harbin: Cinema and Moviegoers of the 1930s21 cited
  • 2007Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking20 cited
  • 2004The New Woman in Early Twentieth-Century Chinese Fiction19 cited
  • 2010Operatic Ghosts on Screen: The Case of A Test of Love (1958)18 cited
  • 2006From Yao Wenyuan to Cui Zi'en: film, history, memory17 cited
  • 2007Tear Down the City14 cited
  • 2007Urban Dreamscape, Phantom Sisters, and the Identity of an Emergent Art Cinema7 cited
  • 2014Habsburg Nostalgia and the Occidental Other: Chinese Perspectives on Stefan Zweig’s Novellas1 cited

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