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Cited by

• 2006A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity90 cited
• 2009Creativity from interaction: Artistic movements and the creativity careers of modern painters83 cited
• 2008Longitudinal hit ratios of classical composers: Reconciling "Darwinian" and expertise acquisition perspectives on lifespan creativity.77 cited
• 2006Creativity and Life Cycles of Artists63 cited
• 2008One-Hit Wonders in Classical Music: Evidence and (Partial) Explanations for an Early Career Peak56 cited
• 2007Creative life cycles in literature: Poets versus novelists or conceptualists versus experimentalists?47 cited
• 2008Hierarchical Linear Modeling of Creative Artists' Problem Solving Behaviors*41 cited
• 2010Quantitative case-studies in musical composition: the development of creativity in popular-songwriting teams38 cited
• 2014Evaluating Excellence in the Arts28 cited
• 2004The Economics of Latin American Art: Creativity Patterns and Rates of Return24 cited
• 2014Neoliberal marketization of art worlds and status multiplexity: Price formation in a Korean art auction, 1998–200723 cited
• 2012Collaboration in Art and in Science: Approaches to Attribution, Authorship, and Acknowledgment23 cited
• 2020Art return rates from old master paintings to contemporary art