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“Don’t leave me, Celia!”: Salsera homosociality and pan-Latina corporealities
16 references·1 citing·32 second hop
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References

  • 1996Discipline and Punish: The Birth of the Prison.15,361 cited
  • 2017Borderlands/La Frontera: The New Mestiza10,735 cited
  • 2015This bridge called my back : writings by radical women of color4,964 cited
  • 1988Under Western Eyes: Feminist Scholarship and Colonial Discourses4,844 cited
  • 1975The Traffic in Women: Notes on the "Political Economy" of Sex2,655 cited
  • 2010Methodology of the Oppressed2,407 cited
  • 1986Disorderly Conduct: Visions of Gender in Victorian America1,321 cited
  • 2001Doméstica: Immigrant Workers Cleaning and Caring in the Shadows of Affluence684 cited
  • 2002Latinos, Inc.: the marketing and making of a people622 cited
  • 2000US Third World Feminism: The Theory and Method of Oppositional Consciousness in the Postmodern World1575 cited
  • 19771. Discipline and Practice: "The Field" as Site, Method, and Location in Anthropology572 cited
  • 2018Tango and the Political Economy of Passion292 cited
  • 1998Choreographies of Gender239 cited
  • 2002From Bomba to Hip Hop: Puerto Rican Culture and Latino Identity185 cited
  • 1999Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures133 cited

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  • 2002Mambo montage: the Latinization of New York78 cited
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    • 2017“The Clave Comes Home”: Salsa Dance and Pan-African Identity in Ghana3 cited