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Yoruba Gods on the American Stage: August Wilson'sJoe Turner's Come and Gone

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References

1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
1978Myth, Literature and the African World594 cited
1991Comparative American Identities: Race, Sex and Nationality in the Modern Text559 cited
1987Sensational Designs: The Cultural Work of American Fiction 1790-1860481 cited
1990Autobiographical voices: race, gender, self-portraiture403 cited
1983Flash of the Spirit: African and Afro-American Art and Philosophy390 cited
1995Folklore, memoirs, and other writings189 cited
1995Scars of Conquest/Masks of Resistance105 cited
1980Trabelin' on: The Slave Journey to an Afro-Baptist Faith100 cited
1996The dramatic vision of August Wilson98 cited
1980Trabelin' On: The Slave Journey to an Afro-Baptist Faith76 cited
1986Joe Turner's Come and Gone67 cited
1996August Wilson and the African American Odyssey.43 cited
1975Eshu-Elegba: The Yoruba Trickster God40 cited
1993In praise of metonymy: the concepts of tradition' and creativity' in the transmission of Yoruba artistry over time and space40 cited
1996

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Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama.

38 cited

Cited by

2003Images of African Traditional Religions and Christianity in Joe Turner's Come and Gone and the Piano Lesson6 cited
2011Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater4 cited